Page 7 – LIFE

When It Was “Swimsuit or Jail” at Myrtle Beach

July 2, 2024July 2, 2024 by Bill Syken

Myrtle Beach is one of the great tourist beach towns that dot the East Coast, and it has only become more popular since it was written about in LIFE magazine in 1952. Back then the magazine estimated the local population to be about 6,000 people, whereas today it can seem as if Myrtle Beach has nearly that many holes of golf available for play.

But in 1952, as a resort destination on the rise, Myrtle Beach was looking for attention-getting ways to open up its beach season. Before that year the town had kicked off festivities with a beauty pageant. Then in ’52 Myrtle Beach decided to stage “Bathing Suit Day,” and the rules were simple: Wear a bathing suit, or go to jail.

Although the word “jail” is being used loosely—no one was actually doing hard time, as the photos from LIFE staff photographer Robert W. Kelley attest. And while the town had officially moved on from a beauty pageant, the event still managed to include a batallion of young women in swimsuits.

Here’s how LIFE described the workings of Bathing Suit Day in its June 23, 1952 issue:

“Everyone in town and every visitor would have to wear beach attire from 6 a.m. until noon under pain of fine or imprisonment in an impromptu stockade. Three businessmen served as judges, 32 town ladies acted as attire inspectors, and convict suits were borrowed from the superintendent of county prisoners—who himself was thrown in jail and made to wear one when he came to Myrtle Beach in ordinary garb to see whether the suits have arrived.”

The day went well, and the weekend also included a parade and contests on the beach. LIFE reported that $650 in fines were levied to those not in swimwear, with the proceeds going toward the construction of a new hospital, and that the 1952 vacation season at Myrtle Beach “had opened with the biggest attendance ever.”

Bathing Suit Day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing Suit Day’ in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Patrolman Charles Edmonson on duty during ‘bathing suit day’ at Myrtle Beach, 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing Suit Day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

A violator of the “must wear a swimsuit” rules and a law-abiding dog left the impromptu jail set up during Bathing Suit Day in Myrtle Beach, South Carolina, 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

One of the enforcement offices for Bathing Suit Day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Men buried women in sand for a contest held on Bathing Suit Day in Myrtle Beach, South Carolina, 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing suit day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing Suit Day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing suit day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Bathing Suit Day in Myrtle Beach, South Carolina, June 1952.

Robert W. KelleyLife Picture Collection/Shutterstock

Eisenstaedt in Postwar Italy (and Yes, That’s Pasta)

July 1, 2024July 1, 2024 by Bill Syken

Some individuals are blessed enough to look beautiful even when they’re having a bad hair day. That was, in a sense, Italy on a grand scale in 1947. The country was coming out of World War II and 18 years of the rule of dictator Benito Mussolini. A LIFE story surveyed the postwar Italian landscape and fretted that the country was “on the brink of Communist revolution.”

That revolution didn’t happen, but still, Italy—birthplace of the Renaissance—had seen better days.

For its 1947 story LIFE sent staff photographer Alfred Eisenstaedt on a tour of the country, and many of his pictures documented scenes of distress, with Italians doing their best to carry on amid bombed out buildings.

But even its those hard times Italy still looked beautiful, and Eisenstaedt even captured livelier scenes, most of which did not make it into the magazine. Eisenstadt photographed a packed La Scala opera house in Milan, American sailors enjoying the Piazza San Marco in Venice, and people at work in pasta factories and Tuscan wineries.

And LIFE’s generally dire account of the Italy did acknowledge that, amid the political unrest and troubling poverty, there were still tourists visiting and good times to be had:

“….with her surging vitality, Italy is showing signs of recovery. In her delightful restaurants the tourist can choose from among countless delicacies, though most Italians still do not get enough to eat. In her factories the production lines are running again….Even among venerable remains of past glory, transformed into modern rubble by the war, scholars are working to change the ruins back to their original state. Slowly, painfully, Italy is trying to rebuild herself.”

Eisenstaedt ranged widely during his tour of Italy, capturing images in Rome, Venice, Siena, Naples, Milan and more, venturing from tony resorts to struggling regions where the difficulties are plain to see. One of the shots that captures the mix well shows children playing amid the ruins of the Theatre of Marcellus, broken and magnificent all at once.

LIFE’s plaintive final note to its story was: “For sensitive people with an abiding lust for life, the Italians’ tragedy today is that they have never learned to govern themselves.”

Young men working in a pasta factory carried rods of pasta to drying rooms, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Young men carrying rods of pasta for drying, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Man hanging pasta noodles, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Postwar Italy, 1947.

Alfred Eisenstaedt/Life PIcture Collection/Shutterstock

An Italian boy stood on top of a US Army tank left on the edge of the beach at Salerno, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

The La Scala Opera House in Milan was at capacity for a performance conducted by Antonio Pedrotti, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A cellarman at Giannino’s handed a bottle of wine to a waiter; the cellar had about 1,500 different wines and liqueurs. Chianti flasks were in the foreground, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Chianti flasks in storeroom of the Baron Ricasoli vineyards in Siena, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Men fishing near the bridge in Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

The archway was all that remained in 1947 of a block of buildings near the main plaza of an Italian city that was heavily bombed during World War II.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Children played among the ruins of the Temple of Apollo. In background, the Palazzo Sermoneta, built atop the centuries-old ruins of Caesar’s Theater of Marcellus in Rome. 1947..

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Naples, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Workers in an olive grove south of Monopoli took a siesta after lunch under a favorite tree, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Shoeshine boys in slum neighborhood near the waterfront in postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A woman carried a tray of dough on her head through street of hilltop town in postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Two American sailors in the Piazza San Marco in Venice, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Beside damaged statues of the Monte Cassino Abbey, a lay brother made sketches that were to aid in the restoration process, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Women worked at a fabric factory in Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Newsstand, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Customers buying bread in the streets in Naples, Italy, in 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Women sewed outside their Trulli homes. Trulli are made from limestone boulders and feature conical or domed roofs. Roofs of Trulli are painted with signs to ward off evil. Italy, 1947.

.Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Two women passed by a wayside shrine near Castellamare, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Laundry hanging in main square of Burano, Venice, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Portrait of a woman standing near a ruins, Italy, 1947

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Postwar Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

People relaxed at a swimming pool in a resort in Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A woman in heeled sandals, Italy, 1947.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Hey, Wanna Hot Dog?

June 14, 2024June 14, 2024 by Bill Syken

In 1972 LIFE magazine ran a story which announced that “hot dogs are on the grill both literally and figuratively these days.” The problem with hot dogs, the story said, was that they were full of fat and water and not very much protein. The article included a quote from consumer watchdog and future presidential spoiler Ralph Nader calling hot dogs “among America’s deadliest missiles.”

And yet all these decades later, even as Americans have only grown more health- and diet-conscious, hot dogs remain a favorite. In 2023 the cookout staples were an $8 billion market, according to the National Hot Dog and Sausage Council.

The numbers reflect a basic truth, which that health is not always at the forefront of consumer’s minds, and that is especially true when they are heating up the grill or enjoying an afternoon at the ballpark. Those are the situations for which the concept of the cheat day was invented. For every person who finds a hot dog revolting—that same LIFE story quoted New York consumer affairs commissioner Bess Myerson as saying “After I found what was in hot dogs, I stopped eating them”—there are others who gravitate to its simple pleasures.

During the original run of LIFE magazine, hot dogs frequently popped up in settings both surprising and expected. Frank Sinatra was seen munching on one in his tuxedo after performing in Miami. Hall of Fame baseball executive Bill Veeck was photographed enjoying one in the stands. Perhaps the most humorous photo in this collection features actress Buff Cobb, who would go on to marry TV journalist Mike Wallace. Cobb and LIFE staff photographer Martha Holmes collaborated on a 1946 photo shoot that was a parody of a Hollywood puff piece. In one photo Cobb was on the beach, being attended by a butler as she roasted a hot dog over an open fire. The caption mentioned how Cobb loved to rough it and cook from “old family recipes.”

In that instance the hot dog was the punch line to a culinary joke. But if you substitute “old family recipe” with “old family favorite,” that caption would be a perfect description of the hot dog’s place in the American diet.

Tony Bennett was out with Frank Sinatra after a performance in Miami, 1965.

John Dominis/The LIFE Picture Collection/Shutterstock

TV comedienne Dagmar took her siblings to a hot dog stand while visiting family in Huntington, West Virginia, 1951.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Bill Veeck, owner of the St. Louis Browns baseball team, 1952.

Ed Clark/Life Picture Collection/Shuttertstock

In a shoot that was a parody of the life of a Hollywood movie star, actress Buff Cobb was said to be ‘roughing it” and cooking from an old family recipe as she prepared a hot dog on the beach while a butler attended to her, 1946.

Martha Holmes/Life Picture Collection/Shutterstock

This 1952 story about “a car that has everything” included this image of owner Louis Mattar, a California garage owner and tinkerer, making a hot dog in his tricked-out Cadillac, 1952.

Ed Clark The LIFE Picture Collection/Shutterstock

People crowded a hot dog stand on the boardwalk at Atlantic City, N.J., 1941.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A barefoot hot dog vendor waited for customers near a police headquarters in Guatemala, 1953.

Cornell Capa/Life Picture Collection/Shutterstock

A dog nibbled on a hot dog, 1972.

Ralph Morse/Life Picture Collection/Shutterstock

Portrait of a hot-dog eater, 1972.

Ralph Morse The LIFE Picture Collection/Shutterstock

The Dawn of Rock: America Finds Its Thrill

June 11, 2024June 11, 2024 by Bill Syken

In its April 18, 1955 issue LIFE magazine reported on—with a fair amount of concern—the onset of the defining evolution of popular music in the 20th century. The story was titled “Rock ‘N Roll: A Frenzied Teenage Music Craze Kicks Up a Big Fuss.“

Here’s how LIFE described what the “big fuss” was all about:

The nation’s teenagers are dancing their way into an enlarging controversy over rock ‘n roll. In New Haven, Connecticut the police chief has put a damper on rock ‘n roll parties and other towns are following suit. Radio networks are worried over questionable lyrics in rock ‘n roll. And some American parents, without quite knowing what it is their kids are up to, are worried that it’s something they shouldn’t be.

But like it or not, rock and roll was here to stay. Standing in the heart of the moment, LIFE saw dancing as a big part of the new music’s appeal. The magazine, grasping to connect this revolutionary moment to the recent past, described rock and roll dancing as “a combination of “the Lindy and the Charleston, and almost anything else.” The story, shot by staff photographers Walter Sanders and Loomis Dean, had more pictures of kids dancing than of musicians performing. One of the shoots took place at the dance studio of Arthur Murray, where kids demonstrated their new moves.

LIFE acknowledged the roots of this new music, saying “The heavy-beat and honking-melody tunes of today’s rock ‘n roll have a clearly defined ancestry in U.S. jazz going back to Louis Armstrong and Bessie Smith of 30 years ago.” The broader market was now turning to a style of music that first became popular in the Black community because record companies had been focussing on “mambos and ballads,” and as a result “the country’s teenagers found themselves without snappy dance tunes to their taste.”

Some adults fretted over lyrics that seemed to be laden with innuendo and double meanings. But even as the LIFE article adopted the tone of a worried parent, the pictures in the magazine told another story. The photos showed exuberance and joy. And by today’s standards, everything looks extremely proper. The main concert photos feature the great Fats Domino, who is wearing a suit and playing a grand piano. The young fans are dressed as if they were going to a formal occasion, without any jeans or T-shirts in sight.

It’s mind-boggling to think that a mere 14 years from when this story ran, rock fans would be mucking around in the mud at Woodstock. But there was no stopping it at this point. The revolution was on, and it was coming fast.

Teenagers demonstrated their rock music dance moves for Arthur Murray and his wife, in background, at Murray’s dance studio.

Walter Sanders/Life Picture Collection/Shutterstock

Arthur Murray and wife (in the background to the left) enjoyed a demonstration by teen-agers of rock`n roll dancing, 1955..

Walter Sanders/Life Picture Collection/Shutterstock

Young dancers from a 1955 story on rock music.

Walter Sanders/Life Picture Collection/Shutterstock

A couple dancing from a story on rock music, 1955.

Walter Sanders/Life Picture Collection/Shutterstock

A young couple danced to rock music, 1955.

Loomis Dean/Life PIcture Collection/Shutterstock

Pioneering rock DJ Allen Freed did a show from a studio in Boston, 1955.

Walter Sanders/Life Picture Collection/Shutterstock

A sign for an early rock show presented by pioneering DJ Allan Freed, 1955.

Walter Sanders/Life Picture Collection/Shutterstock

Teenagers danced to rock music being spun by DJ Al Jarvis in the parking lot of a Los Angeles supermarket, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Audience members enjoying Alan Freed’s Easter show at Brooklyn Paramount Theater, 1955.

Walter Sanders/Life Picture Collection/Shutterstock

Saxophonist Herbert Hardesty (center), a member of Fats Domino’s band, let loose at 54 Ballroom in Los Angeles, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Fats Domino’s band performed in Los Angeles, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Fats Domino’s band rocked out in Los Angeles, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Fats Domino in concert in Los Angeles, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Fats Domino and his band performed in Los Angeles, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

Young dancers from a 1955 story on rock music.

Walter Sanders/LIfe Picture Collection/Shutterstock

A show from the early days of rock and roll, 1955.

Loomis Dean/Life Picture Collection/Shutterstock

A Young Actress Restarts Her Life in Postwar Paris

June 5, 2024June 5, 2024 by Bill Syken

World War II was horrible in a lot of ways, and for a lot of people. For Parisians, the war meant four years of German occupation, ending with the city’s liberation in 1944.

That context is important to remember when looking at this photo essay by NIna Leen about aspiring actress Barbara Laage, which appeared in the June 3, 1946 issue of the magazine. This 25-year-old may look like she is living the life of a young bohemian, but she was also one of many attempting to get herself back on track after the war. Laage had fled Paris during the German occupation, and now she was back home and looking to thrive rather than just survive. Or as LIFE put it:

Basically the story of Barbara Laage…is the universal story of an ambitious young career girl. But in this particular case, however, it takes on the complexion of a social document, showing how postwar Paris is living by its wits and keeping up its spirits.

Laage was promising enough of a prospect that when Leen followed her around, the world was already opening up for her. Stylists and clothing designers were giving free services to the up-and-coming stage actress. And this story would not be the last time Laage was photographed for LIFE. Nina Leen also used Laage as a model for a story on swimsuit fashions, and photographed her again when Laage came to the United States to further her acting career. Pictures from those shoots are included in this collection.

It was just the beginning for Laage, who collected 45 film and television credits in the United States and Europe, even sharing the screen with Paul Newman in her supporting role in the 1961 film Paris Blues, an American movie that was a love letter to her old hometown.

Young actress Barbara Laage exercised at a rooftop gymnasium in Paris, 1946.

Nina Leen/LIfe Picture Collection/Shutterstock

Actress Barbara Laage enjoyed ice cream in Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage in her Paris apartment, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage in Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

The Paris apartment of Barbara Laage was crammed with books, mostly having to do with the theater, 1946.

Nina LeenLife Picture Collection/Shutterstock

Barbara Laage received instruction from a more veteran actor, Maurice Escande, backstage at a Paris theater, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage rode her bicycle to work in Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage arrived at the theater where she was appearing in a play, 1946.

Nina LeenLife Picture Collection/Shutterstock

Barbara Laage sang in a show called “Quatre Rues,” Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage counted out her relatively meager pay after a performance, Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage tried on a dress lent to her by the dressmaker Rochas, while her boyfriend held a mirror for her, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage received free hairdos in exchange for letting the salon use her image for publicity purposes, Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage with dramatist Leopold Marchand, who was writing a play for her, Paris, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage at a dinner to which friends are treating her, Paris, 1946.

Nina Leen/Life Picture Collection/Shutterstock

Actress Barbara Laage perused a write-up about her at a Paris newsstand, 1946.

Nina LeenLife Picture Collection/Shutterstock

Actress Barbara Laage, 1946.

Nina LeenLife Picture Collection/Shutterstock

French actress Barbara Laage wearing makeshift two-piece bathing suit she cut from one yard of cloth, wading in surf, 1946.

Nina Leen/Life Picture Collection/Shutterstock

French actress Barbara Laage in New York City, 1946.

Nina LeenLife Picture Collection/Shutterstock

French actress Barbara Laage in New York City, 1946.

Nina Leen/Life Picture Collection/Shutterstock

Eisenstadt’s Images of Change in the Pacific Northwest

June 3, 2024June 3, 2024 by Bill Syken

In 1939 LIFE devoted a themed issue to the future of America, and it led off its reporting with a big piece on the Pacific Northwest, which the magazine predicted would be an engine of of growth as the country looked to move past the Great Depression. The region was described by hopefuls as “the last frontier” and “the promised land.” The big change afoot at the moment was the construction of the Grand Coulee Dam, which would became a major new source of power. And the Pacific Northwest in general was hailed for natural resources that were waiting to be tapped, and whose vast expanses were still only lightly populated. LIFE wrote, “Beyond the cities of the coast lie mighty reaches of forest, mountain, valley and river where you may go for miles and miles and see only a thread of railroad track or a lonely settler’s clearing as evidence of man’s presence on the giant earth.”

Alfred Eisenstaedt expertly captured the change that was coming to this Eden. Many of his pictures are striking on their own, from the images of a man at work in a teeming Seattle lumber yard, to dam construction, to the fishermen along the majestic Columbia River, to the characters of rural life. But taken together, Eisenstaedt illustrated what it looks like when civilization comes to the prairie. Consider his image of barefoot boys riding a tricycle alongside a highway that is only going to get busier.

LIFE wrote that these photos of Eisenstein were documenting not just a pivotal moment for the Northwest, but for the Amerca as a whole. The piece ended with this somber message to readers about a country making a fundamental transition:

The old American frontier, where a strong man with an axe and plow could take up free land and make his way regardless of his neighbors, is gone. In the industrial civilization of today and tomorrow, no region, no city, no business, no individual in America will ever be able to prosper alone and independent of the rest. The new frontier is one on which, working together for the common good, American will use their great technical and creative resources to produce the full abundance of which the American land is capable, an abundance which will make the long American Dream of dignity and freedom and equal opportunity for every citizen at last come true.

Fishing on the Columbia River in Oregon, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Fishing on the Columbia River in Oregon, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Construction of the Grand Coulee Dam, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Grand Coulee, Washington, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Grand Coulee, Washington, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A post office in the Pacific Northwest, 1939.

Exterior view of a post office in the US Northwest region, 1939.

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Children playing on seesaws in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

A sheep ranch in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Seattle Cedar Lumber Manufacturing Company, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

A man at work at the Seattle Cedar Lumber Manufacturing Company, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Life in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

Seattle, 1939.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Blue Lake, Washington, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

A skier at a resort in the Pacific Northwest, 1939.

Alfred Eisenstaedt/LIfe Picture Collection/Shutterstock

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A Young Actress Restarts Her Life in Postwar Paris

Eisenstadt’s Images of Change in the Pacific Northwest

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