Pies, that staple of holiday meals, have proved highly adaptable over their long history. The original versions of the pie, which traced back to Egypt, commonly had meat fillings. The crusts were thick and carried more of the heft of the dish. Sometimes the legs of game birds were left hanging over the edge, to be used as handles. Those early-version pies were also long and thin, rather than the circular shape that sets our mouths watering today.
In America pumpkin pies and pecan pies may grace autumn feasts, peach and cherry pies may cap off summer barbecues, and the pie, in its many varieties, pops up in all sorts of places. The 35-pound game pies at the DuPont family reunion of 1950 invoke that early extravagance—American aristocrats dining in the manner of old European royalty. Yet the pie, in fruit form, shows up naturally in more quaint and rural settings. The church social. The town meeting. The boarding house. The roadside restaurant. Places that are as American as, well, apple pie.
Many of the images in this gallery are as homespun as it gets. And some of the pictures are hilarious. The cream pie is the sweet symbol of an era of vaudevillian slapstick.
Most novel deployment of a pie in a LIFE photograph? That distinction goes to Dean Martin and Peggy Lee, in the photo that closes the gallery.
Caterer William Newman brought 35-pound game pies to a DuPont family reunion in 1950. He had also served the DuPont reunion 50 years earlier.
With his distinctive facial features, comedian Bob Hope remained recognizable after taking a direct hit from a cream pie in 1962, with Soupy Sales and Shirley MacLaine alongside him at a benefit performance in Los Angeles.
It was a bold notion to name a magazine LIFE. The word life, after all, encompasses everything. The major events that define generations, the fleeting moments that comprise the everyday, the feelings we have and the world we inhabit.
As a weekly magazine LIFE covered it all, with a breadth and open-mindedness that looks especially astounding today, when publications and websites tailor their coverage to ever-narrowing audiences. LIFE chronicled the lives of presidents, and also followed a country doctor on his rounds. LIFE was there when a soldier celebrated the end of World War II with a kiss in Times Square, and when the kids went wild at Woodstock. Photographers captured the magical silliness of kids trying to imitate a University of Michigan drum major, and the historic moment when Dr. Martin Luther King Jr. spoke in Washington D.C. in 1957. It covered cats and dogs and horses and humans from every walk in every element of America and the world.
Today, LIFE publishes a new physical issue every two weeks. Twenty six issues a year, and sometimes more. Each one steeped in today’s sensibilities and heartbeats, each one an exploration of popular culture and delight, driven by LIFE’s unmatched storytelling, in words and photos. On topics such as haunted places and Mary Poppins, on Queen and on the queen, on bands such as the Rolling Stones and icons such as Godzilla. They and many others are found at stores and through online booksellers. Those new issues too will infuse the new LIFE.com.
Over its long heyday. LIFE’s legion of photographers saw and chronicled it all. They had the time and resources to go everywhere and shoot everything. They told stories. They delivered moments. They delighted, amused and surprised. And in the pages of the magazine only the surface was scratched: If a photographer delivered 600 images, LIFE often ran just three or one. Or none. Each issue only had so many pages in which to display the bounty.
The new LIFE.com has no page limit, which means that the works of these great photographers can be presented with unprecedented richness and depth. The stories and galleries on the new LIFE.com take this vast and varied treasure trove of photographic history—see the gallery just below— and connect it to the modern world. The new LIFE.com is not a visiting of what was, it’s a deliverance into what is. [More about the site follows these photos.]
President John F. Kennedy and First Lady Jacqueline Kennedy in the Presidential Box overlooking the crowd at inaugural gala, Jan. 20, 1961.
Paul Schutzer The LIFE Picture Collection/Shutterstock
The Life of a Country Doctor
W. Eugene Smith—Time & Life Pictures/Shutterstock
An American sailor kissing a white-uniformed nurse in Times Square to celebrate the victory over Japan in 1945.
Overcome by the driving rhythm, a flutist abandoned herself to dance during an impromptu amateur performance in the woods at Woodstock, 1969.
Bill Eppridge/Life Pictures/Shutterstock
Dr. Martin Luther King Jr. spoke in front of the Lincoln Memorial before 25,000 people at the Prayer Pilgrimage for Freedom, May 1957 to mark the third anniversary of the landmark supreme court decision, Brown v. the Board of Education, which outlawed segregation in public schools. Among his landmark early addresses, King’s speech that day was known as “Give Us the Ballot.”
Paul Schutzer The LIFE Picture Collection/Shutterstock
Along with its home page, the will be organized into seven sections.
For example, In ARTS AND ENTERTAINMENT, you can see photos from the set of the movie classic It’s a Wonderful Life.
Jimmy Stewart on the set of ‘It’s a Wonderful Life.’
Cover photo by Yevgen Romanenko/Moment RF/Shutterstock
Cover image by GlobalP/iStock/Shutterstock
Cover photo by Steven Minchin/Alamy
Cover photo by Terence Donovan/Trunk Archive
All this is a mere sampling of the hundreds of stories and galleries which populate LIFE.com today, and that total is only going to grow. We encourage you: Stop by every day. See what’s new. Enjoy these amazing photographs. Enjoy LIFE!
It’s baseball fan’s annual dream: for his or her team make it to the World Series, and then, perhaps, . . . to win it all. In 2019, fans in Washington D.C. saw their Major League team (in this case the Nationals) upset the Houston Astros and win the World Series, the first title for a D.C. baseball team since 1924 (in that case the Senators).
The tensions and drama of October baseball have been a staple of American life for so many decades. History remembers the winners most especially, but before any celebrating happens, fans need to watch the games and sweat the outcome. These days fans can follow the game on a variety of devices, but it wasn’t always so. In 1957, these Milwaukee fans collected in a department store to watch their Braves on television. The effort to see the game, and their rapt faces, tells you how much they had invested in the moment.
Fans watch the 1957 World Series on a department store television.
Milwaukee did defeat the Yankees in seven games, behind the arm of Series MVP Lew Burdette and the bat of the great Hank Aaron. So the party was on. Look at all these nurses who ran from the hospital with a serious case of Braves fever.
Nurses join the celebration after Milwaukee’s win in 1957.
It’s a scene that has played out in some form or another in every year, although with perhaps fewer nurses from and center.
In 1955 after the Brooklyn Dodgers at long last downed the Yankees—after so many years of losing in the Series to their luminous crosstown rivals—LIFE photographer Martha Holmes saw a car piled high with celebrants. Holmes described the moment in the book LIFE Photographers: What They Saw:
“I saw them and I went running,” Holmes said. I felt like Ginger Rogers—I was running backwards on heels. But it was fun; I was a Dodger fan. Of course, they loved it. They were screaming and waving their arms. And with me there, they did it even more so.”
Brooklyn went wild after the Dodgers’ win in 1955.
The extraordinary photo at the top of this story was taken by George Silk during the 1960 World Series in Pittsburgh. This was a World Series for the ages, as the Pirates defeated the Yankees in seven games behind one of the most memorable hits in baseball history, a series-ending home run from Bill Mazeroski.
Pittsburgh went wild with joy. See below, and especially note the kid. arm raised, being hoisted above the jubilant crowd. Feel his exhilaration. Who wouldn’t want to know that?
The character of Batman first appeared in print in 1939, in an issue of Detective Comics, and through the decades the Caped Crusader has led the paved the path toward today’s superhero-drenched pop culture. The 1989 Batman movie starring Michael Keaton established the first superhero blockbuster franchise, and in 2005 Christopher Nolan’s Batman Begins ushered in an era of more serious films that focussed on the private anguish behind the secret identities. In 2019, the intensity got ratcheted up with the movie The Joker, which stars Joaquin Phoenix and tells a new origin story of Batman’s archenemy.
But Batman’s first popular move onto the screen had quite a different tone. If the modern Batman intends to be brooding and adult and decidedly Dark Knight-ish, back then on the TV screens the mood was playfully infantile. And the kids loved it.
Photo by Yale Joel
The star of the original Batman TV series was Adam West, who approached the role with a camp seriousness that suited the anti-authoritarian 60s. His Batman belonged by behind the wheel of a Batmobile with a clearly labelled “Emergency Bat-Turn Lever.”
Batman’s sidekick was Burt Ward’s Robin, who liked to say the word “holy” followed by just about anything. Examples in this compilation video tribute to his catch phrase include “Holy fruit salad,” “Holy fourth amendment,” and “Holy interplanetary yard stick.”
In the above photo Robin was being attacked by the Mad Hatter, played by David Wayne, who was the villain in four of the series’ 120 episodes. The mannequins represent jurors on whom the Mad Hatter was taking revenge by kidnapping them and taking their hats. The climactic fight scene is the show in a nutshell: the bass line humming, horns accentuating every punch and kick (along with a Bam! or Zok! splashed across the screen). And it is just taken for granted that the hat factory in which the scene takes place included a conveyor belt with giant mechanical blades that whirr and chop..
Photo by Yale Joel
Photo by Yale Joel
Even back then, Batman fans liked to make themselves over in his image. LIFE’s coverage of Batmania in 1966 went beyond the set to capture the first seeds of the dress-up games that have fans flocking to comic book conventions about the globe. Above, kids in a New York city dance class either don official Batman gear or fly with homemade capes. Below is a rough-looking haircut meant to mimic the lines of Batman’s cowl—and an early sign that what brings joy to the wearer might strike others as going a little too far.
In 1972 LIFE magazine went on a road trip with Flip Wilson. Wilson, one of the top TV performers of his day, drove a Rolls Royce with the personalized license plate KILLER, after the never-seen boyfriend of the Geraldine character on his show. On the road trip, a care-free jaunt through the beautiful Southwest, writer P.F. Kluge observed “Flip’s enjoyment of driving is almost palpable. He leans back against the headrest, props a foot on the dashboard, holds his hand in the air, waving at nothing but the breeze.”
Today the piece of personal technology that people are more likely to be infatuated with is their phones. But for much of the 20th century, the car occupied an exalted place in the American imagination. With the beginning of mass production in 1927 and the spread of suburban living after World War II, cars became the new place that we spent our time, and the expression of both status and style.
Now people care about fuel efficiency more than fins. The push now is toward cars in which people hand the driving over to a computer. But Flip and the people in these photos took joy in being behind the wheel.
This three-wheeler was an experimental model that appeared in a 1945 LIFE story touting the automotive lifestyle in California.
This Lincoln Futura, a concept car, appeared in the Debbie Reynolds movie It Started With a Kiss. A few years later another version of the Futura, with a darker paint job, became the Batmobile in the Batman television show.
Not so much now, but once upon a time college boxing was a really big deal, and a high profile NCAA enterprise. When LIFE wanted to document the sport in 1949, the obvious place to go was the University of Wisconsin. The Badgers were the sport’s dominant program, winning eight national titles and hosting seven NCAA tournaments from the years that college boxing was an official sport, from 1932 to 1960. The story never ran in LIFE, so these photos by George Skadding are being shown here for the first time.
Photo by George Skadding
Photo by George Skadding
Boxing matches in Madison, held in the school’s basketball arena, routinely drew more than 12,000 fans, with a record 15,200 people attending a bout against Washington State in 1940.
Photo by George Skadding
Photo by George Skadding
Photo by George Skadding
In these photos, a boxer from Wisconsin takes on a fighter from the University of Idaho. That might sound like a mismatch, given Wisconsin’s aforementioned dominance, and these pictures do show the Badger getting in his licks. But Idaho was another of the sport’s power programs. The Vandals won three national championships in boxing, tied with San Jose State for the second most all-time. Another gem state school, Idaho State, won two national titles as well.
Photo by George Skadding
It can be safely said that Wisconsin’s John Walsh was the greatest college boxing coach. A former Golden Gloves champion himself, Walsh became the Wisconsin coach in 1934, and his boxers won 35 individual titles in addition to their eight team titles. Walsh led the program until 1958, which was just a couple years before college boxing, from an NCAA standpoint, met its demise.
By 1960, Syracuse was the only eastern school to send a team to the national tournament. During the tournament a popular Wisconsin boxer, Charlie Mohr, collapsed in the dressing room and never regained consciousness. He died eight days later. (Already in 1959 a Texas A&M fighter, Curtis Raymond Lyons, had died after a bout.) Sports Illustrated’s report on Mohr’s death was headlined, accurately, “The End of College Boxing.”