There’s nothing quite like being there at the earliest emergence of a new Hollywood star, and as the premier pictorial weekly of its era, LIFE magazine was uniquely positioned to feature more than a few famous faces at the start of their careers, well before they became bona fide legends.
Marilyn Monroe posed in 1947. The next year, she’d get a six-month Columbia Pictures contract.
J. R. Eyerman/LIFE Pictures/Shutterstock
Seen here in a 1954 photo that ended up on the cover of LIFE, Rita Moreno debuted on Broadway at 13 before making it big years later in the film version of West Side Story.
Loomis Dean/LIFE Pictures/Shutterstock
Rita Moreno, 1954.
Loomis Dean/Life Pictures/Shutterstock
.Kim Novak, 1954
J. R. Eyerman/LIFE Pictures/Shutterstock
Kim Novak, 21, posed with crystal figurines in 1954. The Chicagoan started off as Miss Deep Freeze for a local refrigerator company, and was recruited by Columbia Pictures to be a more manageable replacement for Rita Hayworth.
J. R. Eyerman/LIFE Pictures/Shutterstock
Elizabeth Taylor in 1947, at age 15.
J.R. Eyerman/Life Pictures/Shutterstock
Sophia Loren posed in 1957, the year she began to make a name for herself in America in such movies as Boy on a Dolphin (her U.S. debut) and Legend of the Lost.
Loomis Dean/LIFE Pictures/Shutterstock
Audrey Hepburn in 1951—two years before her film breakthrough in Roman Holiday—posing under a theater marquee for the stage version of Gigi.
Time Life Pictures/LIFE Pictures/Shutterstock
Catherine Deneuve in 1961, at age 18.
Loomis Dean/Life Pictures/Shutterstock
Margarita Carmen Cansino, soon to be Rita Hayworth, modeled tennis fashions in 1939. After her small turn in Only Angels Have Wings that year, fan mail started pouring in. She was soon a major star.
Peter Stackpole/LIFE Pictures/Shutterstock
Cyd Charisse, seen here in 1945, was best known for her dancing roles opposite Fred Astaire and Gene Kelly.
Peter Stackpole/LIFE Pictures/Shutterstock
Nineteen-year-old Ann-Margret belted out a tune during a screen test for the movie State Fair in 1961.
Grey Villet/LIFE Pictures/Shutterstock
Esther Williams, the famed synchronized swimmer (seen here in 1943), got her start in movies when MGM wanted a female sports star to rival Fox’s figure skater, Sonja Henie.
Peter Stackpole/LIFE Pictures/Shutterstock
Eva Marie Saint opened a prop door during a TV shoot at NBC studios in 1947. The Newark, N.J.-born actress started her career as an NBC page.
Andreas Feininger/LIFE Pictures/Shutterstock
Eva Marie Saint (in 1949) got her film break in 1954’s Oscar-winning On the Waterfront.
Nina Leen/LIFE Pictures/Shutterstock
Actress Jeanne Crain took a bubble bath for her role in the movie Margie in 1946.
Peter Stackpole/LIFE Pictures/Shutterstock
Jane Fonda was a well-regarded actress by the time this shot was taken in 1959, when she was 22, but it took the screwball Western Cat Ballou (1965) to turn her into a movie star.
Allan Grant/LIFE Pictures/Shutterstock
Jane Fonda, 1959.
Allan Grant/LIFE Pictures/Shutterstock
The actress Gene Tierney posed in 1941. Best remembered for 1944’s Laura, Tierney left New York’s socialite life to be an actress.
Grey Villet/Life Pictures/Shutterstock
Mickey Rooney kissed co-star Judy Garland at the premiere of Babes in Arms in 1939. The two starred in nine movies together, among them the popular Andy Hardy series.
Peter Stackpole/LIFE Pictures/Shutterstock
Barbra Streisand sang in the musical that was her Broadway debut, I Can Get It for You Wholesale, in 1962.
George Silk/LIFE Pictures/Shutterstock
Shirley MacLaine sang on the TV program Shower of Stars in 1955.
Loomis Dean/LIFE Pictures/Shutterstock
Debbie Reynolds, circa 1950. She’d won a film contract just two years earlier, after winning the Miss Burbank pageant at age 16.
Loomis Dean/Life Pictures/Shutterstock
Rex Harrison and Julie Andrews ran lines in My Fair Lady rehearsals, 1956. Though the stage musical helped launch Andrews’ career, she was replaced in the big-screen version by Audrey Hepburn.
You know those times when you glimpse a photograph and you think you know what’s happening in the picture, but then something indefinable about the shot plants a seed of doubt, and you look again, and you find that your first impression was absolutely, utterly wrong?
For a lot of people, this 1949 Loomis Dean picture is one of those photographs. At first glance, it looks pretty straightforward: a hunting dog, soaking wet after going into the water to retrieve a duck blasted from the air by its master, sits with the dead or perhaps mortally wounded, but certainly doomed waterfowl in its jaws.
But wait a second. That duck doesn’t look injured. In fact, judging by its still (apparently) vibrant eye and, especially, its rapidly fluttering right leg, the duck is most definitely, emphatically alive.
The priceless look on the dog’s face, meanwhile, is hardly that of a ghoul. In fact, if anything, the dog looks downright embarrassed as if it would rather be anywhere but there, with a live duck in its mouth.
What is going on here?
We’ll let the caption that accompanied this picture in the unputdownable 2008 LIFE book, The Classic Collection, clear up any lingering confusion.
“Don’t worry!” wrote the book’s editors. “The duck’s fine!”
And that is why this photo is funny, and not tragic. Here’s the story: One day in 1947 the Olson family in Yakima, Wash., brought home a duckling named Donald (of course). Donald instantly became friends with the family dog, to the extent that Donald emulated everything the dog did, including chasing children and other dogs from the yard. Donald actually became quite a nuisance in the neighborhood, so the Olsons gave him to a rancher a dozen miles away. There he became pals with a Chesapeake Bay retriever named Trigger. Now, whenever the rancher tossed Donald into the pond so that he could be with the other ducks in other words, his own kind Trigger would immediately dash in and retrieve him. Trigger was as gentle as possible, as we can clearly see here, but ultimately it was decided that Donald would be best back with the Olsons.
The original plan was for an outdoor rock festival, “three days of peace and music” in the Catskill village of Woodstock. What the young promoters got was the third largest city in New York state, population 400,000 (give or take 100,000), location Max Yasgur’s dairy farm near the town of White Lake.
So began LIFE magazine’s description, in its August 29, 1969 issue, of what has come to be seen as one of the defining events of the 1960s. Here LIFE.com presents a gallery of pictures many of which never ran in the magazine from those heady, rain-soaked days and nights.
Lured by music [the story in LIFE continued] and some strange kind of magic (“Woodstock? Doesn’t Bob Dylan live in Woodstock?”), young people from all over the U.S. descended on the rented 600-acre farm.
It was a real city, with life and death and babies—two were born during the gathering—and all the urban problems of water supply, food, sanitation and health. Drugs, too, certainly, because so many of its inhabitants belong to the drug culture. Counting on only 50,000 customers a day, the organizer had set up a fragile, unauthoritarian system to deal with them. Overrun, strained to its limits, the system somehow, amazingly, didn’t break. For three days nearly half a million people lived elbow to elbow in the most exposed, crowded, rain-drenched, uncomfortable kind of community and there wasn’t so much as a fist fight.
For those who passed through it, Woodstock was less a music festival than a total experience, a phenomenon, a happening, high adventure, a near disaster and, in a small way, a struggle for survival. Casting an apprehensive eye over the huge throng on opening day, Friday afternoon, a festival official announced, “There are a hell of a lot of us here. If we are going to make it, you had better remember that the guy next to you is your brother.” Everybody remembered. Woodstock made it.
One of the LIFE photographers on scene during the festival, John Dominis, summed up his own recollections of Woodstock this way:
“I really had a great time.,” Dominis told LIFE.com, decades after the fact. “I was much older than those kids, but I felt like I was their age. They smiled at me, offered me pot. . . . You didn’t expect to see a bunch of kids so nice; you’d think they’d be uninviting to an older person. But no they were just great!
“I worked at LIFE for 25 years,” Dominis said, “and worked everywhere and saw everything, and I’ve told people every year since Woodstock happened that it was one of the greatest events I ever covered.”
Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.
Woodstock, August 1969.
John Dominis/Life Pictures/Shutterstock
“I’m quite fond of this picture,” photographer John Dominis said. “You can’t plan this sort of thing; one moment during those three days when there’s no giggling, no laughing. They’re just uncomfortable and that somehow makes it work.”
John Dominis/Life Pictures/Shutterstock
“I like this shot of a handsome young hippie couple,” photographer John Dominis said. “They seem so comfortable with each other. A very endearing image, I think.”
John Dominis/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Robin Hallock attended the Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Overcome by the driving rhythm, a flutist abandoned herself to dance during an impromptu amateur performance in the woods at Woodstock, 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Woodstock, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
Bill Eppridge/Life Pictures/Shutterstock
Woodstock Music & Art Fair, August 1969.
John Dominis/Life Pictures/Shutterstock
Max and Miriam Yasgur on their land after the Woodstock Music & Art Fair, August 1969.
Taking place just three short years after the end of the Second World War, when much of London and indeed, much of Europe was still rebuilding after the devastation of the 20th century’s most cataclysmic conflict, the 1948 London summer Olympics were the first since the 1936 Berlin Games.
While the war was over, however, it was hardly forgotten. Neither Japan nor Germany was allowed to compete. (The third Axis power, Italy, sent more than 200 athletes to London, having wisely joined the Allies in the middle of the war after Mussolini was deposed and executed.) The Soviet Union, meanwhile, as LIFE told its readers in August 1945, “snubbed the whole show” hardly surprising, as the USSR had not sent athletes to an Olympiad since 1922, and would not do so until 1952.
But whatever ideological fault lines existed around the globe in the immediate aftermath of the war, the obvious and overriding emphasis in London in 1948 was the athletes, and the generally friendly, intense competition on display.
As LIFE put it in an article shortly after the ’48 Games ended:
For 17 days except for one night when there was trouble with the gas line the torch flamed brightly at Wembley, England.
The ceremonial dignity of the London Olympiad was no match for the neopagan histrionics which characterized Adolf Hitler’s 1936 spectacle in Berlin. But by athletic standards the show was superb, despite the fact that the weather was the worst in Olympic history (the sun shone only three days). The general decorum of competing athletes was admirable, and only a very slight international tension followed a disputed U.S. victory in the 400-meter relay.
The U.S. won 38 golds in 1948, followed by Sweden (16), France and Hungary (10 apiece). The United Kingdom won three gold medals.
Torchbearer Henry Allen Bishop, 1948 London Olympics.
Mark Kauffman/Life Picture Collection/Shutterstock
As 5,000 athletes massed on the infield of Wembley Stadium before a crowd of 82,000, the Olympic torch flared up for the first time on July 29, a few minutes after XIV Olympiad has been officially opened by King George VI. The huge delegations in front are the British and U.S. teams.
Ed Clark/Life Picture Collection/Shutterstock
After years of cancelled Olympics due to World War II, the Games were back on at Wembley Stadium, London, 1948.
William Sumits/Life Picture Collection/Shutterstock
Distance champion Emil Zatopek of Czechoslovakia, running with his characteristic agonized expression, started the last lap in the 10,000 meters, where he set a new Olympic record in London, 1948. He received a gold medal and promotion from second to first lieutenant in Czech army.
Frank Scherschel/Life Picture Collection//Shutterstock
Swedish Henry Eriksson received congratulations after winning the 1500 meters in the driving rain at the 1948 Summer Olympics in London.
Ed Clark/Life Picture Collection/Shutterstock
The Netherlands’ Fanny Blankers-Koen (foreground), who won four golds in at the 1948 Summer Olympics in London, competed in a sprint heat.
William Summits/Life Picture Collection//Shutterstock
Hurdles champion Fanny Blankers-Koen (right) of Holland skimmed over last barrier in the 80-meter race inches ahead of Great Britain’s Maureen Gardner. Mrs. Blankers-Koen, 30-year-old mother of two children who cooks, knits, darns socks and does her training in between, also won the women’s 100-meter and 200-meter sprints and picked up a fourth medal by running on a victorious relay team, Summer Olympics, London, 1948.
Mark Kauffman/Life Picture Collection/Shutterstock
Jamaican athlete Herb McKenley, Summer Olympics, London, 1948.
William Sumits/Life Pictures/Shutterstock
American pole vaulter Guinn Smith attempted (unsuccessfully) a world record jump at the summer Olympics, London, 1948.
Frank Scherschel/Life Picture Collection/Shutterstock
Guinn Smith of U.S. won at the 1948 Summer Olympics in London the hard way— in a driving rain which caused vaulters’ hands to slip from bamboo poles and made Olympic record impossible. This photo shows Smith’s body is draped over bar as he fails on first try at winning height. Next time he made it.
Mark Kauffman/Life Picture Collection/Shutterstock
Eventual decathlon winner, 17-year-old American Bob Mathias, waited for his turn at the pole vault, Summer Olympics, London, 1948.
Ed Clark/Life Pictures/Shutterstock
Javelin throw winner Herma Baumer of Austria, London Olympics, 1948.
Frank Scherschel/Life Pictures/Shutterstock
American diver Zoe Ann Olsen prepared for a springboard dive. She won silver in at the Olympics in London, 1948.
Ed Clark/Life Pictures/Shutterstock
Swimming at the 1948 Summer Olympics in London.
Ed Clark/Life Pictures/Shutterstock
American springboard dive winners Zoe Ann Olsen (left), Vicki Manolo Draves (center) and Patty Elsener displayed their medals at the Summer Olympics in London, 1948.
Ed Clark/Life Pictures/Shutterstock
Fanny Blankers-Koen (right) of the Netherlands after winning the 200-meter dash, Summer Olympics, London, 1948.
William Sumits/Life Pictures/Shutterstock
Gaston Reiff of Belgium stood on the winner’s block after the 5,000 meters at the Summer Olympics in London, 1948.
Mark Kauffman/Life Pictures/Shutterstock
Members of the winning American crew (from UC-Berkeley) carried coach Ky Ebright on their shoulders, Summer Olympics, London, 1948.
In December 1951, LIFE published one of the most extraordinary photo essays ever to appear in the magazine. Across a dozen pages, and featuring more than 20 of the great W. Eugene Smith’ pictures, the story of a tireless South Carolina nurse and midwife named Maude Callen opened a window on a world that, surely, countless LIFE readers had never seen and, perhaps, had never even imagined. Working in the rural South in the 1950s, in “an area of some 400 square miles veined with muddy roads,” as LIFE put it, Callen served as “doctor, dietician, psychologist, bail-goer and friend” to thousands of poor (most of them desperately poor) patients only two percent of whom were white.
The article in LIFE, titled simply “Nurse Midwife,” that chronicled Callen’s work and her unique role in her community is a companion piece, of sorts, to Smith’s 1948 essay, “Country Doctor.” Spending time with the two essays, one gets the sense that Maude Callen and Dr. Ernest Ceriani of Kremmling, Colorado while physically separated by thousands of miles, as well as by the even broader, thornier barrier of race – would not only understand one another, on an elemental level, but that each would recognize something utterly familiar in the other. Their lives and the landscapes they navigated might have been as different, in critical ways, as one can possibly imagine; but in the essentials, they were kindred spirits. They were healers.
Here, LIFE.com presents “Nurse Midwife” in its entirety, as well as images that Smith shot for the story but that were never published in LIFE.
The story in LIFE began this way, setting the stage for what one reader called, echoing the numerous awe-struck letters to the editor published in a later issue, “one of the greatest pieces of photojournalism I have seen in years”:
Some weeks ago in the South Carolina village of Pineville, in Berkeley County on the edge of Hell Hole Swamp, the time arrived for Alice Cooper to have a baby and she sent fr the midwife. At first it seemed that everything was all right, but soon the midwife noticed signs of trouble. Hastily she sent for a woman name Maude Callen to come and take over.
After Maude Callen arrived at 6 p.m., Alie Cooper’s labor grew more severe. It lasted through the night until dawn. But at the end she was safely delivered of a healthy son. The new midwife had succeeded in a situation where the fast-disappearing “granny” midwife of the South, armed with superstition and a pair of rusty scissors, might have killed both mother and child.
Maude Callen is a member of a unique group, the nurse midwife. Although there are perhaps 20,000 common midwives practicing, trained nurse midwives are rare. There are only nine in South Carolina, 300 in the nation. Their education includes the full course required of all registered nurses, training in public heath and at least six months’ classes in obstetrics.
Maude Callen has delivered countless babies in her career, but obstetrics is only part of her work… To those who think that a middle-aged Negro [sic] without a medical degree has no business meddling in affairs such as these, Dr. William Fishburne, director of the Berkeley County health department, has a ready answer. When he was asked whether he thought Maude Callen could be spared to do some teaching for the state board of health, he replied, “If you have to take her, I can only ask you to join me in prayer for the people left here.”
For W. Eugene Smith, work mattered. Throughout his legendary career, he sought out and chronicled the lives and the labor of people who knew their craft. Whether he was photographing a world figure like Dr. Albert Schweitzer in Africa or anonymous Welsh coal miners; a doctor in the Rockies or a midwife in South Carolina; Smith saw something noble in hard work, and something profoundly admirable in men and women who cared enough to do their work well.
But one would be hard-pressed to find anyone who ever appeared in LIFE’s pages whose humble and necessary work merited more admiration than that of the unforgettable, unbreakable nurse midwife of Smith’s 1951 photo essay. After the piece was published, LIFE subscribers from all over the country sent donations, large and small, to help Mrs. Callen in what one reader called “her magnificent endeavor.” Thousands of dollars poured in sometimes in pennies and nickels, sometimes more until, as LIFE later reported, she was overwhelmed by the response.
“Halfway through a recent day’s mail, [Mrs. Callen] said to her husband: ‘I’m too tired and happy to read more tonight. I just want to sit here and be thankful.'”
Eventually, more than $20,000 in donations helped to build a clinic in Pineville, where Mrs. Callen worked until her retirement in 1971.
In later years, Maude Callen was still (rightfully) being celebrated for her life’s work. She was honored with the Alexis de Tocqueville Society Award in 1984 for six decades of service to her community, and in 1989 the Medical University of South Carolina (MUSC) awarded her an honorary degree, while the MUSC College of Nursing created a scholarship in her name.
Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.
Weary but watchful, Maude sat by as a mother dozed.
W. Eugene Smith/Life Pictures/Shutterstock
Waiting, a young mother leaned forlornly against the window, ignoring sympathy and looking for Maude’s Callen’s car.
W. Eugene Smith/Life Pictures/Shutterstock
Frightened and sick, the nervous mother was helped by Phoebe Gadsden, the first midwife she called. Gadsen, a practicing midwife who attended Maude’s classes, had helped at several deliveries but felt that this one needed special attention and so decided to ask Maude to come and supervise.
W. Eugene Smith/Life Pictures/Shutterstock
Maude got ready in kitchen by lamplight.
W. Eugene Smith/Life Pictures/Shutterstock
In deep pain, the 17-year-old mother writhed, mumbling prayers while Mrs. Gadsden held her hand.
W. Eugene Smith/Life Pictures/Shutterstock
At 4 A.M., hard labor began for Alice Cooper.
W. Eugene SmithLife Pictures/Shutterstock
At 5:30 A.M. a few seconds after the delivery, Maude Callen held the healthy child as he filled his lungs and began to cry.
W. Eugene Smith/Life Pictures/Shutterstock
At 5:40 A.M., the long suffering over, the mother first saw her son. She had no name for him, but a week later she chose Harris Lee.
W. Eugene Smith/Life Pictures/Shutterstock
At 5:45 A.M., the mother’s aunt, Catherine Prileau, tried to soothe her so that she would go to sleep.
W. Eugene Smith/Life Pictures/Shutterstock
At 6:20 A.M., her work over at last, Callen quietly took the first nourishment that she has had for more than 27 hours.
W. Eugene Smith/Life Pictures/Shutterstock
Maude at 51 had a thoughtful, weary face that reflects the fury of her life. Orphaned at 7, she was brought up by an uncle in Florida, studied at the Georgia Infirmary in Savannah, and became a nurse at 21.
W. Eugene Smith/Life Pictures/Shutterstock
After another delivery Maude departed at 4:30 a.m., leaving the case in charge of another midwife.
W. Eugene Smith/Life Pictures/Shutterstock
Healthy twins, who were delivered a day apart last year by Maude, received a quick once-over when she stopped in to see them and pump herself a drink of water. Only about 2 percent of her patients were white.
W. Eugene Smith/Life Pictures/Shutterstock
A tuberculosis case, 33-year-old Leon Snipe, sat morosely on a bed while Maude arranged with his sister for him to go to a state sanatorium.
W. Eugene Smith/Life Pictures/Shutterstock
An accident case was brought to Maude’s door one night. Annabelle Fuller was seriously cut in an auto accident and Maude had given her first aid. Now the girl returned to have her dressings changed.
W. Eugene Smith/Life Pictures/Shutterstock
This girl greeted Maude at her door.
W. Eugene Smith/Life Pictures/Shutterstock
New dresses for 9-year-old Carrie (right) and 8-year-old Mary Jane Covington were dropped off by Maude on her way to a patient.
W. Eugene Smith/Life Pictures/Shutterstock
Simple kindness overwhelmed an old man. Frank McCray had a headache one day in 1927, soon was paralyzed, and had been in this chair ever since. He broke down and wept when Maude stopped in.
W. Eugene Smith/Life Pictures/Shutterstock
Extra duty assumed by Maude included cashing of relief checks and dealing with storekeepers for several people who were mentally incompetent or, like this man, blind.
W. Eugene Smith/Life Pictures/Shutterstock
Store-bought-food donated by Maude fascinated youngsters.
W. Eugene Smith/Life Pictures/Shutterstock
After a call she waded back to her car.
W. Eugene Smith/Life Pictures/Shutterstock
A dying baby suffering from acute enteritis was rushed to the hospital.
W. Eugene Smith/Life Pictures/Shutterstock
A transfusion was almost impossible because the fever’s dehydration had affected the baby’s arm veins, and the doctor had to try the neck. The baby died before he could get blood flowing.
W. Eugene Smith/Life Pictures/Shutterstock
Dr. W. K. Fishburne, head of the Berkeley County health department, examined a patient brought to hospital by Maude.
W. Eugene Smith/Life Pictures/Shutterstock
Outside a clinic held in a school, a crowd waited to see Maude.
W. Eugene Smith/Life Pictures/Shutterstock
Maude Callen inspected a patient behind a bedsheet screen.
W. Eugene Smith/Life Pictures/Shutterstock
Maude made a delivery pad in patient’s home according to classroom method.
W. Eugene Smith/Life Pictures/Shutterstock
The incubator was made of box and whisky bottles full of warm water.
W. Eugene Smith/Life Pictures/Shutterstock
This crib was made of an old fruit crate propped near a cold stove.
W. Eugene Smith/Life Pictures/Shutterstock
Teaching a midwife class, Maude showed how to examine a baby for abnormalities. She conducted some 84 classes and helped coach about 12 new midwives each year.
W. Eugene Smith/Life Pictures/Shutterstock
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Life Magazine
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Life Magazine
Nurse midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
Pregnant woman, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
A newborn delivered by nurse midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Life Magazine
Nurse midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
Nurse midwife Maude Callen (right), South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Life Magazine
Nurse Midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
Nurse midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Life Magazine
A child being treated by nurse midwife Maude Callen, South Carolina, 1951.
W. Eugene Smith/Life Pictures/Shutterstock
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE.
Along the way Sutherland also gained a second sort fame as a father, when his son Kiefer built his own notable acting career, starring in films such as Stand by Me and The Lost Boys, and in the hit television series 24.
Here, LIFE.com offers a gallery of rare pictures (none of them ran in LIFE magazine) of Sutherland and his family, by photographer Co Rentmeester in 1970. Donald also shows his quirky side in a series of portraits taken in the process of shaving his beard. Sutherland and his wife at the time, the Canadian activist and actress Shirley Douglas, divorced not long after these photos were made.
Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.
Donald Sutherland and his son, Kiefer, in New York, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland and his son, Kiefer, in New York, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland and his children, twins Kiefer and Rachel, in New York, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland with his wife, Shirley Douglas, and their children (left to right): Kiefer Sutherland, Tom Douglas (Shirley’s son from her first marriage), Rachel Sutherland, in New York, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland shaving, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Shirley Douglas looked at photos of her husband, Donald Sutherland, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland with his twin daughter and son, Rachel and Kiefer, and his stepson, Tom (left), in New York, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland and his children, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland and his children, 1970
Co Rentmeester The LIFE Picture Collection/Shutterstock
Donald Sutherland, 1970.
Co Rentmeester The LIFE Picture Collection/Shutterstock
