Feelin’ Groovy: High School Fashion, 1969

“The latest rule in girls’ high school fashion,” LIFE magazine proclaimed in 1969, “is that there isn’t any.”

In contrast to the popular fashions and styles of certain decades the Gibson Girl of the 1890s and early 1900s, the flapper of the Roaring Twenties, the “New Look” of the Fifties there was no single reigning style in the 1960s. Even as the slim-cut trousers and shift dresses of the late Fifties crept in, Mod miniskirts and go-go boots found their way over from London to mingle with the bell-bottomed jeans and fringed vests of the latter part of the decade. By 1969, the fashion choices of tens of millions of young American men and women were as variegated and ever-evolving as the world around them.

A “freaky new freedom,” LIFE called it. Was it ever!

Cultural transformation was an irresistible force during the Sixties, and across America and around the globe civil rights, women’s and gay liberation, the sexual revolution and, of course, the explosive soundtrack of R&B, soul and rock and roll informed everything from politics to fashion.

Unceasing change, meanwhile, is the one constant in human affairs and by the 1960s, technology had advanced to the point where events and movements in one corner of the world were instantaneously accessible on campuses and in communities everywhere. As global telecommunication networks grew at-once larger, faster and more sophisticated, America grew, in a sense, much smaller. The vast and near-visionary national highway system had spread across the country in the post-World War II years; more households than ever owned a car (or two); and for the first time, plane travel was becoming a viable option for many American families. Over the course of the 1960s, air passenger numbers more than quadrupled from the previous decade.

This mobility opened both literal and figurative vistas to countless Americans and even if most weren’t able to drive to Haight-Ashbury, or explore the Far East in person, they certainly saw these places on television and in the great photography being published in myriad weekly and monthly magazines and, increasingly, in newspapers. Fewer than a million households owned a TV in the late 1940s; two decades later, that number had increased more than forty fold. The August 1963 March on Washington for Jobs and Freedom and Dr. King’s “I Have a Dream” speech; the immediate aftermath of JFK’s assassination (and MLK’s, and RFK’s); the Vietnam War; the 1969 moon landing — all of these era-defining people and moments, and so many more, were broadcast into living rooms from Maine to California, Alaska to Florida.

Was the medium the message? Was the message the medium? For most people, it didn’t really matter, either way, as long as the pictures, the music, the fashions, the movements that came and went with dizzying speed as long as it all kept coming.

By 1969, America’s youth had not only soaked in more visual and auditory stimuli in a few years than most previous generations combined, but had re-imagined virtually all of that input in the form of sartorial self-expression. In light of that new, global sensibility, Beverly Hills high schooler Rosemary Shoong’s homemade “stunning leather Indian dress” (slide #1 in the gallery above) wasn’t just a dress. It was a time and a place, man. And it was out of sight.

Liv Combe writes frequently on food, travel, fashion and culture; is a regular contributor to the literary review, Full Stop; and will soon begin work for Afar magazine in San Francisco. While she knows it’s a cliché, she would very much like to have seen the Paris of the 1920s.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

 

Student Rosemary Shoong at Beverly Hills High School, wearing a dress she made herself, 1969.

Student Rosemary Shoong at Beverly Hills High School, wearing a dress she made herself, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Beverly Hills High classmates show off their fashions, 1969.

Beverly Hills High classmates showed off their fashions, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High school teacher Sandy Brockman wears a bold print dress, 1969.

High school teacher Sandy Brockman wore a bold print dress, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Corona del Mar High School students Kim Robertson, Pat Auvenshine and Pam Pepin wear "hippie" fashions, 1969.

Corona del Mar High School students Kim Robertson, Pat Auvenshine and Pam Pepin wore “hippie” fashions, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High schooler Nina Nalhaus wears wool pants and a homemade jacket in Denver, Colo., 1969.

High schooler Nina Nalhaus wore wool pants and a homemade jacket in Denver, Colo., 1969.

Arthur Schatz/Life Pictures/Shutterstock

A Southern California high school student walks toward classmates while wearing the "Mini Jupe" skirt, 1969.

A Southern California high school student walked toward classmates while wearing the “Mini Jupe” skirt, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Southern California high schooler wears a buckskin vest and other hippie fashions, 1969.

A Southern California high schooler wore a buckskin vest and other hippie fashions, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Beverly Hills High School student Erica Farber, wearing a checkered and tiered outfit, walks with a boy, 1969.

Beverly Hills High School student Erica Farber, wearing a checkered and tiered outfit, walked with a boy, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Students at Woodside High in California, 1969.

Students at Woodside High in California, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High school students wearing "hippie" fashion, 1969.

High school students wore “hippie” fashion, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High schooler Lenore Reday stops traffic while wearing a bell-bottomed jump suit in Newport Beach, Calif., 1969.

High schooler Lenore Reday stopped traffic while wearing a bell-bottomed jump suit in Newport Beach, Calif., 1969.

Arthur Schatz/Life Pictures/Shutterstock

High school fashions, 1969.

High school fashions, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High school fashions, 1969.

High school fashions, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Southern California high school student wears old-fashioned tapestry skirt and wool shawl, 1969.

A Southern California high school student wore an old-fashioned tapestry skirt and wool shawl, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Southern California high school students, 1969.

Southern California high school students, 1969.

Arthur Schatz/Life Pictures/Shutterstock

High school student wearing bell bottoms and boots, 1969.

A high school student wore bell bottoms and boots, 1969.

Arthur Schat/Life Pictures/Shutterstock

Kansas high school student wearing a mini skirt, 1969.

A Kansas high school student wore a mini skirt, 1969.

Arthur Schatz/Life Pictures/Shutterstock

Old Gold: When Hollywood’s Leading Men Were Real-Life Grown-Ups

A question for the film buffs out there: Is there a genuine, bona fide leading man in the movies today who on camera and off looks, sounds and acts like a grown-up? Think before you answer, and consider the potential contenders.

Tom Cruise? Brad Pitt? Leonard DiCaprio? These guys are all at points in their careers when they can pick and choose their roles and command obscene sums of money for their work. But they all possess a kind of post-adolescent quality that, while marginally engaging, never quite feels fully adult. Pitt, for example, is by all accounts a solid guy, with his heart in the right place on all sorts of important global issues. But there’s still something about Mr. Jolie that feels, somehow, slightly juvenile. Maybe it’s the hair.

Russell Crowe? Tom Hanks? Despite the critical acclaim, the Oscars, the varied and at times risky career moves, it’s still tough to think of them as fully-formed, comfortable-in-their-own-skin grown-ups. The irony, of course, is that both have played fully-formed, comfortable-in-their-own-skin grown-ups on the big screen to absolute perfection; it’s when they simply have to be themselves that they can both seem a tad sophomoric. Charming, of course, and disarmingly self-aware. Self-deprecating, even. But a little bit silly.

George Clooney? Will Smith? Matt Damon? They clean up nice, and Clooney, especially, looks phenomenal and at ease in a tux which, after all, is a very grown-up outfit. And yet, somehow, all three of those guys often resemble nothing so much as precocious lads.

This is not to say that all of today’s leading men are overgrown high schoolers. Liam Neeson is, emphatically, a grown man. So is Denzel Washington. So are several other actors (older guys, in their 50s and 60s) who might conceivably be thought of as leading men. But generally speaking, the number of leading men who look, sound and act like grown-ups, on camera and off, seems to have plummeted in the past few decades. Maybe that’s because, as a culture, we’ve grown so obsessed with the idea of Youth not in a Wordsworthian, Romantic sense of eternal innocence, but a blinged-out, selfie-snapping, consumerist Youth culture: the slippery, golden demographic so avidly pursued by marketers.

All of which makes the photograph above so damn appealing. Here we have four of the most enduring stars in Hollywood history Clark “The King” Gable, Cary Grant, Bob Hope and David Niven during a break in rehearsals for the 1958 Academy Awards, and despite the fact that they’re convulsed with laughter over a shared joke, they’re all very clearly, unapologetically grown up. They’re accomplished, famous movie stars reveling in one another’s company and not one of them looks as if he has the slightest interest in being younger, or hipper, than he is.

And that, of course, makes them all very cool, indeed. No matter how old they might be.

Clark Gable, Cary Grant, Bob Hope and David Niven laugh heartily together during a break from rehearsals for the 30th annual Academy Awards show in Los Angeles, 1958.

Clark Gable, Cary Grant, Bob Hope and David Niven

Leonard McCombe The LIFE Picture Collection/Shutterstock

Unpublished: Portraits of Marilyn as a Young Actress, 1948

You would think that Marilyn Monroe is such an object of fascination that every photo of her would have surfaced ages ago—if not during her life, then at least soon after her death in 1962.

But in 2013, a book by Christopher Andersen, These Few Precious Days: The Final Year of Jack With Jackie, made news because it asserted that Marilyn Monroe actually phoned Jackie Kennedy in 1962 and told her that JFK was going to make her, Marilyn, his second wife. That spurred LIFE.com to dig into its archives and find a series of pictures that LIFE’s Loomis Dean made in 1948, when Marilyn was a mere 21 years old. None of Dean’s photos from that shoot had ever been published in LIFE.

So. Here she is, with another then-aspiring actress, Laurette Luez, and Hollywood veteran Clifton Webb on the set of a comedy called Sitting Pretty. Neither Marilyn nor Luez were in that movie. But Luez was under contract to Twentieth Century Fox—the studio that released Sitting Pretty—and Marilyn had once been under contract to Fox, and eventually would be again, so the presence of the two women on the set, whether as young actresses looking for pointers, or for publicity purposes, isn’t all that surprising. In fact, as Marilyn and Laurette Luez change seats at one point (the fourth image), it’s highly unlikely that these are purely impromptu shots of the trio.

(Incidentally, Webb was nominated for a Best Actor Oscar for his role in the film, one of three Academy Award nods he earned in his long career.)

It’s always jarring to see Marilyn as, in effect, an ingenue, in the years before she achieved stardom and then went on to transcend the movies and enter a realm of tragic legend. But in early 1948, Marilyn Monroe was just another talented, engaging young actress who hoped to be famous someday.

Be careful what you wish for.

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, "Sitting Pretty."

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, “Sitting Pretty.”

Loomis Dean/Life Pictures/Shutterstock

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, "Sitting Pretty."

Marilyn Monroe, Clifton Webb, Laurette Luez, 1948

Loomis Dean/Life Pictures/Shutterstock

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, "Sitting Pretty."

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, “Sitting Pretty.”

Loomis Dean/Life Pictures/Shutterstock

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, "Sitting Pretty."

Marilyn Monroe, Clifton Webb, Laurette Luez, 1948

Loomis Dean/Life Pictures/Shutterstock

Then-unknown actress Marilyn Monroe with Clifton Webb and Laurette Luez on the set of a 1948 comedy, "Sitting Pretty."

Marilyn Monroe, Clifton Webb, Laurette Luez, 1948

Loomis Dean/Life Pictures/Shutterstock

JFK and Jackie’s Wedding, 1953

Long before the heady, rock star-like run for the White House, before “Ich bin ein Berliner,” before the Cuban Missile Crisis, the pillbox hats, Marilyn’s “Happy birthday, Mr. President,” Camelot and the limo drive through Dallas, John and Jackie Kennedy were a young newlywed couple much like any other newlywed couple with one notable difference: by the time of their wedding they were, in a sense, already superstars.

The pair had appeared on the cover of LIFE magazine two months before their wedding, in July 1953, perched on the sloping deck of a sailboat off of Cape Cod, both of them smiling, windblown, emphatically New England-y, beside the cheeky headline, “Senator Kennedy Goes a-Courting.” They were both from prominent, monied, influential families, and they were frequently featured, together and apart, in the society pages of major newspapers.

Their marriage in Rhode Island on September 12, 1953,  was national news. LIFE magazine sent photographer Lisa Larsen, then in her late 20s, to cover the highly publicized event. Her photos from the occasion offer not only a before-and-after record of the nuptials, but a surprisingly intimate chronicle of one of the most high-profile American weddings of the 20th century.

For its part, LIFE magazine reported on the scene in an article in a Sept. 1963, issue:

The marriage of Washington’s best-looking young senator to Washington’s prettiest inquiring photographer took place in Newport R.I. this month and their wedding turned out to be the most impressive the old society stronghold had seen in 30 years. As John F. Kennedy took Jacqueline Bouvier as his bride, 600 diplomats, senators, social figures crowded into St. Mary’s Church to hear the Archbishop of Boston perform the rites and read a special blessing from the pope. Outside, 2,000 society fans, some who had come to Newport by chartered bus, cheered the guests and the newlyweds as they left the church. There were 900 guests at the reception and it took Senator and Mrs. Kennedy two hours to shake their hands. The whole affair, said one enthusiastic guest, was “just like a coronation.”

—Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

Bride and bridegroom finally sit down to lunch after the long, wearying ordeal of the receiving line. Jacqueline, whose wedding dress contained 50 yards of material, adjusts veil while her senator husband starts right in on fruit cup."

The bride and bridegroom finally sat down to lunch after the long, wearying ordeal of the receiving line. Jacqueline, whose wedding dress contained 50 yards of material, got settled in while her husband started right in on the fruit cup.

Lisa Larsen/Life Pictures/Shutterstock

John F. Kennedy, Jacqueline Bouvier marry, Newport, R.I., Sept. 12, 1953.

John F. Kennedy and Jacqueline Bouvier’s wedding, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

John F. Kennedy, Jacqueline Bouvier marry, Newport, R.I., Sept. 12, 1953.

John F. Kennedy and Jacqueline Bouvier’s wedding, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

"Jacqueline Bouvier in gorgeous Battenburg wedding dress with her husband Sen. John Kennedy as they stand in front of church after wedding ceremony."

Jacqueline Bouvier and her husband Sen. John Kennedy stood in front of the church after their wedding ceremony.

Lisa Larsen/Life Pictures/Shutterstock

"Line of guests waiting patiently to congratulate the couple extends to the front lawn of bride's mother's 300-acre Hammersmith Farm at Newport."

The line of guests waiting patiently to congratulate the couple extended to the front lawn of the bride’s mother’s 300-acre Hammersmith Farm at Newport.

Lisa Larsen/Life Pictures/Shutterstock

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jackie Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Jackie Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

John F. Kennedy, Jacqueline Bouvier marry, Newport, R.I., Sept. 12, 1953.

John F. Kennedy and Jacqueline Bouvier at their wedding, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

John and Jackie Kennedy with ushers, bridesmaids and flower girls, Newport, R.I., Sept. 12, 1953.

John and Jackie Kennedy with ushers, bridesmaids and flower girls.

Lisa Larsen/Life Pictures/Shutterstock

John and Jackie Kennedy with groomsmen and other guests on their wedding day, Newport, R.I., Sept. 12, 1953.

John and Jackie Kennedy with groomsmen and other guests on their wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

"Speaker Joe Martin of House of Representatives congratulates bride and bridegroom in receiving line. Kennedy served three terms in the House."

Joe Martin. U.S. Speaker of the House of Representatives, congratulated the bride and bridegroom.

Lisa Larsen/Life Pictures/Shutterstock

John F. Kennedy, Jacqueline Bouvier marry, Newport, R.I., Sept. 12, 1953.

John F. Kennedy and Jackie Kennedy, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

"Flower girl Janet Auchincloss, half sister of bride, talks to Kennedy while bride looks out window at guests waiting to go through receiving line."

Flower girl Janet Auchincloss, half sister of the bride, talked to Kennedy while the bride looked out the window at guests waiting to go through the receiving line.

Lisa Larsen/Life Pictures/Shutterstock

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Guests, including Robert Kennedy, watch as newly married John and Jackie Kennedy cut their wedding cake, Newport, R.I., Sept. 12, 1953.

Guests, including Robert Kennedy, watched as newly married John and Jackie Kennedy cut their wedding cake, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Jacqueline Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

"Slice of wedding cake is offered bridegroom by flower girl Janet at the luncheon. Kennedy had already had some cake so did not want any more."

A slice of wedding cake was offered to the bridegroom by flower girl Janet at the luncheon. Kennedy had already had some cake so did not want any more.

Lisa Larsen/Life Pictures/Shutterstock

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

John and Jackie Kennedy on their wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Jacqueline Kennedy on her wedding day.

Lisa Larsen/Life Pictures/Shutterstock

Guests at the wedding reception for John and Jackie Kennedy, Newport, R.I., Sept. 12, 1953.

Guests at the wedding reception for John and Jackie Kennedy, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy dances with her husband, John F. Kennedy, at their wedding reception,

Jacqueline Kennedy danced with her husband, John F. Kennedy, at their wedding reception, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy dances with her new father-in-law, Joseph P. Kennedy, at wedding reception, Newport, R.I., Sept. 12, 1953.

Jacqueline Kennedy danced with her new father-in-law, Joseph P. Kennedy.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy dances at her wedding reception, Newport, R.I., Sept. 12, 1953.

Jacqueline Kennedy danced at her wedding reception.

Lisa Larsen/Life Pictures/Shutterstock

A girl with a flower at John and Jacqueline Kennedy's wedding reception, Newport, R.I., Sept. 12, 1953.

A girl with a flower at John and Jacqueline Kennedy’s wedding reception, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

Jacqueline Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Jacqueline Kennedy on her wedding day, Newport, R.I., Sept. 12, 1953.

Lisa Larsen/Life Pictures/Shutterstock

"Off for honeymoon in Acapulco, Mexico, the bride and bridegroom leave the wedding reception amid a shower of rose-petal confetti and rice."

Off for their honeymoon in Acapulco, Mexico, the bride and bridegroom left the wedding reception amid a shower of rose-petal confetti and rice.

Lisa Larsen/Life Pictures/Shutterstock

Robert Redford: A Movie Star and American Maverick, 1969

He had the requisite looks, charm and talent, but it wasn’t until 1969, when he was in his mid-30s, that Robert Redford truly broke out as a genuine Hollywood player. That year he starred in two very good films (Downhill Racer and Tell Them Willie Boy Is Here) and one hugely entertaining, honest-to-god classic, Butch Cassidy and the Sundance Kid.

That was also the year that LIFE photographer John Dominis spent a week with Redford as the legend-in-the-making mixed business and pleasure at his homes in Utah and New York. Dominis set about chronicling the days and nights of an increasingly famous man struggling mightily to maintain control of both his private life and his career.

At the time, Redford was married to first wife, Lola Van Wagenen. With their kids Shauna and Jamie (their youngest daughter, Amy, would arrive in October 1970), the couple lived for several months each year at a three-story A-frame house they had built themselves in Lola’s snowy, mountainous home state of Utah. During that part of the shoot, Dominis spent a few days trying to keep up as Redford traversed his vast property on horseback, skis and snowmobile.

Only a few of Dominis’ photos made it into the February 1970 LIFE cover story. Here, LIFE.com presents a series of outtake photos from the photographer’s time with the Sundance Kid. Redford’s on horseback in the Utah mountains; hailing a cab in Times Square; playing with his kids; and always, always taking care of business.

Dominis’ pictures captured a new kind of movie star, one who carefully managed every aspect of his career, from creative choices to nuts-and-bolts business matters. For Redford, the reasoning behind his decision to take control of his professional life was eminently practical.

“They throw that word ‘star’ at you loosely, and they take it away loosely if your pictures flop,” he told LIFE. “You take responsibility for their crappy movie, that’s all it means. So what I said was, since you say I’m responsible if my name is above the title, then give me responsibility. That’s all.”

Dominis’ unobtrusive, fly-on-the-wall approach to shooting, meanwhile, suited the star just fine, especially in light of how little time Redford really seemed to have to himself. In New York, for example, he was swamped with details connected to the release of his next movie, Downhill Racer. Even in Utah, a place to which he retreated to get away from it all, Redford “engages in endless long-distance discussions with agents, partners and other unfree spirits,” LIFE reported.

There’s no doubt that Redford made an impression on Dominis. “He was a real man,” Dominis told LIFE.com. “A strong person. I liked him a lot. And he was nice to me, even though he didn’t know me.”

One key aspect of Redford’s appeal for Dominis, a sportsman himself, was the actor’s obvious love of, and respect for, the natural world and the dramatic landscape of the American West. (“Other people have analysis; I have Utah,” Redford once quipped.)

By 1975, Redford had amassed about 7,000 acres of land in Utah, including a ranch, a ski resort, a horse-training farm and a large tract in the Wasatch mountain range. “I’d understand it if someone said it was too much for one man and his family,” he told People that year. “But I don’t think I’m just piling up land the way some men pile up money. I’m collecting space, and space has a very deep meaning for me.” In the coming years, of course, Redford would give much of that land in service to his craft, making it the site of the enormously popular and influential Sundance Film Festival and the nonprofit Sundance Institute.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

Robert Redford on a horse

Robert Redford, Utah, 1969

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford and daughter Shauna, Utah, 1969.

Robert Redford and daughter Shauna

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford and son Jamie, Utah, 1969.

Robert Redford and son Jamie, Utah, 1969

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford, Utah, 1969.

Robert Redford, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford, Utah, 1969.

Robert Redford, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford in Times Square, between meetings, 1969.

Robert Redford in Times Square, between meetings, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford hails a cab in Times Square

Robert Redford hailed a cab in Times Square. Just a few blocks away, at the Biltmore Theater on 47th Street, was where the actor got his first major notices as the star of Neil Simon’s 1963 Broadway play, Barefoot in the Park.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford with son Jamie, daughter Shauna and two unidentified companions, New York City 1969.

Robert Redford with son Jamie, daughter Shauna and two unidentified companions, New York City, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford grins in his agent's office in New York 1969

Robert Redford in his agent’s office in New York, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford, Utah, 1969

Robert Redford, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford looks over promotional photos and ads for "Downhill Racer"

Robert Redford looked over promotional material for his film, Downhill Racer , New York City, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford with his son, Jamie, in New York City, 1969.

Robert Redford with his son, Jamie, in New York City, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford with his son, Jamie, in New York City, 1969.

Robert Redford with son, Jamie, New York City, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford with daughter, Shauna, New York City, 1969

Robert Redford with his daughter, Shauna, in New York City, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford and his family (his first wife, Lola van Wagenen; son, Jamie; and daughter, Shauna), Utah, 1969.

Robert Redford; his first wife, Lola van Wagenen; son, Jamie; and daughter, Shauna, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford ("the Sundance Kid") with a cardboard cut-out of Paul Newman ("Butch Cassidy"), Utah, 1969.

Robert Redford (“the Sundance Kid”) with a cardboard cut-out of Paul Newman (“Butch Cassidy”), Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford hard at work, Utah, 1969

Robert Redford, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford, Utah, 1969.

Robert Redford, Utah, 1969.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford takes a break from reading a script

Robert Redford took a break from reading a script.

John Dominis The LIFE Picture Collection/Shutterstock

Robert Redford, LIFE Magazine, February 6, 1970

Robert Redford, LIFE Magazine, February 6, 1970

Page spreads from the February 6, 1970, issue of LIFE magazine.

Robert Redford, LIFE Magazine, February 6, 1970

Page spreads from the February 6, 1970, issue of LIFE magazine.

Robert Redford, LIFE Magazine, February 6, 1970

Page spreads from the February 6, 1970, issue of LIFE magazine.

Robert Redford, LIFE Magazine, February 6, 1970

Page spreads from the February 6, 1970, issue of LIFE magazine.

Robert Redford, LIFE Magazine, February 6, 1970

A Savage Season in Mississippi: The Murder of Emmett Till

In the summer of 1955, two men, both of them white, abducted a 14-year-old African-American boy named Emmett Till from his great-uncle’s house in Money, Miss. Roy Bryant and J.W. Milam beat Till almost to death, gouged out one of his eyes, shot him in the head and then dumped his body, weighted by an enormous cotton-gin fan tied with barbed wire, into the Tallahatchie River.

Their motive: Till, visiting from his native Chicago, had reportedly flirted with or, according to some accounts, spoken “disrespectfully” to Bryant’s wife a few days before.

When an all-white, all-male jury acquitted Bryant and Milam of kidnapping and murder in September, the verdict shocked observers across the country and around the world. And when, mere months later, the men openly admitted to Look magazine that they had, in fact, mutilated and murdered Till, the outcry was so intense and the reaction of Till’s devastated family so dignified that it lit a spark that helped ignite the modern civil rights movement.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.

The site of Emmett Till's kidnapping, Money, Miss., 1955.

The site of Emmett Till’s kidnapping, Money, Miss., 1955.

Ed Clark; Life Pictures/Shutterstock

J.W. Milam's brother Leslie owned this barn near Drew, Miss. Before his murder, Emmett Till was pistol-whipped in the barn.

J.W. Milam’s brother Leslie owned this barn near Drew, Miss. Before his murder, Emmett Till was pistol-whipped in the barn.

Ed Clark; Life Pictures/Shutterstock

The store in Money, Miss., where Emmett Till allegedly flirted with Roy Bryant's wife Carolyn.

The store in Money, Miss., where Emmett Till allegedly flirted with Roy Bryant’s wife Carolyn.

Ed Clark; Life Pictures/Shutterstock

A ring found on Emmett Till's body, which his great-uncle, the Rev. Mose Wright, used to identify his body. The ring belonged to Till's father.

A ring found on Emmett Till’s body, which his great-uncle, the Rev. Mose Wright, used to identify his body. The ring belonged to Till’s father.

Ed Clark; Life Pictures/Shutterstock

A scene in Mississippi around the time of the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till, 1955.

A scene in Mississippi around the time of the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till, 1955.

Ed Clark; Life Pictures/Shutterstock

Emmett Till's mother Mamie Bradley speaks to the press after her son's kidnapping and murder.

Emmett Till’s mother Mamie Bradley spoke to the press after her son’s kidnapping and murder.

Ed Clark; Life Pictures/Shutterstock

From left: Emmett Till's great-uncle, the Rev. Mose Wright; his mother Mamie Bradley; and his cousin Simeon Wright.

From left: Emmett Till’s great-uncle, the Rev. Mose Wright; his mother Mamie Bradley; and his cousin Simeon Wright.

Ed Clark; Life Pictures/Shutterstock

A crowd outside the Sumner, Miss., courthouse during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of 14-year-old Emmett Till.

A crowd gathered outside the Sumner, Miss., courthouse during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of 14-year-old Emmett Till.

Ed Clark; Life Pictures/Shutterstock

Defendant J.W. Milam arrives at his trial in Sumner, Miss., where he is charged with the kidnapping and murder of Emmett Till.

Defendant J.W. Milam arrived at his trial for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

A scene in Sumner, Miss., during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

A scene outside the courthouse during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

A scene during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

The trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

A scene during the trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

The trial of Roy Bryant and J.W. Milam for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

Defendants Roy Bryant, left, and J.W. Milam during their trial for the kidnapping and murder of Emmett Till.

Defendants Roy Bryant, left, and J.W. Milam, right, during their trial for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

Defendant Roy Bryant sits with his wife Carolyn and their children during his trial for the kidnapping and murder of Emmett Till.

Defendant Roy Bryant sat with his wife Carolyn and their children during his trial for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

Defendants J.W. Milam (left) and Roy Bryant (right)sit during their trial for the kidnapping and murder of Emmett Till.

Defendants J.W. Milam, left, and Roy Bryant, right, during their trial for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

Defendant J.W. Milam kisses his wife Juanita during his trial for the kidnapping and murder of Emmett Till.

Defendant J.W. Milam kisses his wife Juanita during his trial for the kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

A sign in Sumner, Miss., site of the trial of Roy Bryant and J.W. Milam for the August 1955 kidnapping and murder of Emmett Till.

A sign in Sumner, Miss., site of the trial of Roy Bryant and J.W. Milam for the August 1955 kidnapping and murder of Emmett Till.

Ed Clark; Life Pictures/Shutterstock

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