LIFE With Rock Stars . . . and Their Parents

They had fame, reams of money and fans willing to do wild, unmentionable things just to breathe the same air but in its September 24, 1971 issue, LIFE magazine illustrated a different side of the lives of rock stars. Like other mere mortals, they often came from humble backgrounds, with moms and dads who bragged about them, fussed over them, called them on their nonsense and worried about them every single day.

Assigned to take portraits of the artists at home with their sweetly square folks, photographer John Olson traveled from the suburbs of London to Brooklyn to the Bay Area, capturing in his work the love that bridged any cultural and generational divides that existed between his subjects.

Here, LIFE.com brings back Olson’s nostalgia-sparking photos—Marvel at the decor! Gaze in wonder at the shag carpets and bell-bottoms!—and shares his memories of hanging out with pop culture icons of the Sixties and Seventies, as well as their mums and their dads.

John Olson on Frank Zappa: “Everyone had told me that Frank Zappa was going to be really difficult, and he couldn’t have been more professional,” Olson told LIFE.com.

Zappa on His Parents: “My father has ambitions to be an actor,” Frank told LIFE. “He secretly wants to be on TV.”

Zappa’s Mom on Zappa: “The thing that makes me mad about Frank is that his hair is curlier than mine and blacker.”

Grace Slick: Grace Slick’s mom Virginia Wing, wrote LIFE, was a “soft-spoken suburban matron” pretty much the opposite of her wild child. “Grace and I have different sets of moral values,” Mrs. Wing told LIFE, “but she’s her own person, and we understand each other.”

Elton John: In 1970, Elton John was just three albums into his prolific career, and still had countless hits— “Rocket Man,” “Daniel,” “Bennie and the Jets” and “Candle in the Wind” among them—in his future. (As well as the 2019 biopic, Rocketman.) “When he was four years old,” his mother said of her prodigiously talented son, “we used to put him to bed in the day and get him up to play at night for parties.”

Ginger Baker: The world knew him as Ginger, on account of his red hair, but his mother christened him Peter, and to her he was always “my Pete.” As she told LIFE magazine: “He would bring people over and they would say, ‘You realize your son is brilliant,’ and I’d say, ‘Is he? I wish he was a bit more brilliant at keeping his room tidy.'” Ginger died in late 2019.

John Olson on Ginger Baker: “I had worked with lots of these musicians before and on the first go-round some of them had been really difficult. But when they were with their parents, they were totally different people. Baker, who had been terribly obnoxious before, acted like a grown-up. I don’t think it had anything to do with respect for me, so it must have been the parents.”

Joe Cocker: Facial contortions, flailing arms, gallons of sweat: the blues singer poured all that and more into his passionate performances. But off stage, LIFE observed, “he is cool and withdrawn a temperamental mixture of Harold Cocker, his civil servant father who preferred gardening to posing with his famous son, and his outgoing, chatty mother.”

David Crosby: With his parents divorced, the “Crosby” of Crosby, Stills, Nash & Young posed with his father Floyd, an Oscar-winning cinematographer, in the Ojai, Calif., home Floyd shared with his second wife in 1970. “In the last few years we’ve become good friends,” David told LIFE magazine. “What I like best about him is that he seems to feel no need for me to be like him, so we’re not offended by each other’s differences. Like he knows I get high. He doesn’t do it and he doesn’t approve of it, but he doesn’t inflict his values on me.”

Jackson 5: Unlike the other stars featured in LIFE’s story, the Jackson brothers Michael, Marlon, Tito, Jermaine and Jackie experienced fame as kids, and still lived with their parents (father/manager Joe and mother Katherine). At the time of LIFE’s shoot, they were the hottest act in pop, skyrocketing in 1970 with “ABC” and “I’ll Be There,” and had just moved into an expansive new house.

“It was very controlled,” Olson says of the photo shoot that resulted in the September, 24, 1971 LIFE cover. “As I remember, they followed my requests to a T, and were incredibly polite. The dad was pretty stern.” Indeed, Joe who had been a crane operator in Gary, Indiana, just three years before hinted at the relentless drive toward fame about which Michael would later voice such ambivalence. “It wasn’t hard to know they could go on to be professionals,” Joe told LIFE of his young sons. “They won practically all the talent shows and I wasn’t surprised when they did make it.”

Donovan: His parents’ love of Scottish and English folk music inspired Donovan, the singer/songwriter behind such hits as “Season of the Witch” and “Mellow Yellow.” But by the time of his photo session with Olson, Donovan’s fruitful partnership with record producer Mickie Most had soured, and his career was in decline. Perhaps as a result, Donovan was the only musician Olson photographed who was left out of the story that LIFE eventually published.

David Crosby with his father Floyd, together in the father’s house, 1970.

John Olson/Life Picture Collection/Shutterstock

LIFE With Rock Stars and Their Parents

Frank Zappa in his Los Angeles home with his dad, Francis, his mom, Rosemarie, and his cat in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Frank Zappa with his dad, Francis, and his mom, Rosemarie, in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

The Jefferson Airplane’s Grace Slick posed with her mother, Virginia Wing, in the living room of the home where she grew up in Palo Alto, California. “We raced out there because she was nine months pregnant,” remembered Olson, the photographer. “And the rest of the story took so long to complete, her daughter was a year old when it finally ran.”

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

In a second shoot with Grace Slink, the new mom dangled her daughter China by the feet in 1971

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Grace Slick stepped outside with her mom and little China in 1971.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Eric Clapton with grandmother Rose Clapp in 1970 in Surrey, England.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

The former Reggie Dwight, later known as Elton John, laughed with his mom Sheila Fairebrother and Sheila’s husband Fred (whom Elton affectionately called “Derf,” Fred spelled backwards) in their suburban London apartment in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

David Crosby with his father, 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Richie Havens with his parents in Brooklyn, 1970. The musician who opened the show at Woodstock grew up with his folks, Richard and Mildred, in Bedford-Stuyvesant, Brooklyn, but he bought them this home in nearby East Flatbush when his music career took off. The Havenses had nine kids and, as Mrs. Havens told LIFE, “Richie is the only one who’s really moved away. I can’t get rid of most of them.”

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Ginger Baker, the Cream and Blind Faith drummer, flashed a smile with his mother Ruby Streatfield inside her rowhouse in Bexley, outside London, in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Ginger Baker and his mum, 1970.

John Olson/Life Pictures/Shutterstock

The Jackson 5 pose with their parents in Encino, Calif., in 1970.

The Jackson 5 posing with their parents in Encino, Calif., in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

LIFE photographer John Olson set up to shoot the Jackson 5 in their backyard in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

With their parents standing by, 13-year-old dynamo Michael (front left) and his brothers Jackie, Marlon, Tito and Jermaine straddled their motorbikes by the pool, 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Donovan and his parents, Donald and Winifred Leitch, England in 1970.

John Olson/Life Pictures/Shutterstock

LIFE With Rock Stars and Their Parents

Joe Cocker with his mother, 1970, from a series John Olson shot on rock stars and their parents.

John Olson/Life Pictures/Shutterstock

The First Super Bowl: The Game That Started It All

Sports fans are notoriously contrary, but all would have to agree that “the Super Bowl” is a far better name for pro football’s ultimate contest than “the AFL-NFL World Championship Game,” which is exactly what it was called for the first two years it was played, in 1967 and 1968.

A sign that this championship wasn’t the big deal then that it is today: the game did not sell out the Los Angeles Coliseum. It is the only Super Bowl not to fill all its seats. The matchup was not expected to be competitive, and it wasn’t, especially. Vince Lombardi’s Green Bay Packers handily beat the Kansas City Chiefs 35-10, with quarterback Bart Starr being named the game’s Most Valuable Player. Starr would earn that honor again in Super Bowl II, his Packers beat the Raiders, 33-14 in Miami.

In fact, the real historical importance of these first two lopsided games between the NFL and AFL champs is that it helps explain why what happened in Super Bowl III was such a big deal. After those first two blowouts of the AFL teams, it was a true shocker  when Joe Namath and his New York Jets scored that first win for the AFL, and helped pave the road to the NFL-AFL merger. 

Here, LIFE.com presents a series of photos, none of which ran in LIFE magazine, made by Bill Ray and Art Rickerby before, during and after that inaugural game.

Almost everything about the Super Bowl has changed drastically in the long years since Green Bay and Kansas City took the field. That’s part of the appeal of the photos. They’re like baby pictures of a game that is about to grow up—way, way up.

 

The First Super Bowl: Rare Photos from a Football Classic

The Kansas City Chiefs waited to take the field against the Packers prior to the start of Super Bowl I, Los Angeles, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Kansas City’s Fletcher Smith, with the Green Bay Packers massed behind him, prior to the start of Super Bowl I, Los Angeles, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Green Bay offensive lineman Jerry Kramer in Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Super Bowl I, 1967.

Art RickerbyLife Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Green Bay’s Elijah Pitts eluded Kansas City defenders, Super Bowl I, 1967.

Art Ricker/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Chiefs linebacker E. J. Holub, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Packers head coach Vince Lombardi, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Green Bay wide receiver Max McGee, Super Bowl I, 1967, was the game’s surprise star, with seven receptions for 138 yards and two touchdowns.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Football’s escalation in the American consciousness took a great leap forward in 1967, when Bart Starr led the Green Bay Packers to a win over the Kansas City Chiefs at the Los Angeles Coliseum in the first Super Bowl.

Photo by Art Rickerby/The LIFE Picture Collection © Meredith Corporation

The First Super Bowl: Rare Photos from a Football Classic

Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Elijah Pitts (No. 22) ran the Packers’ signature play, the power sweep, Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Tight end Reggie Carolan in the Chiefs’ locker room, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Kansas City defensive lineman Jerry Mays prior to Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Quarterback Len Dawson in the Chiefs’ locker room, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Kansas City sideline, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Green Bay receiver Carroll Dale was hit by the Chiefs’ Willie Mitchell, Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Green Bay running back Jim Taylor (No. 31), Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Kansas City’s Fred Williamson was carried off the field after breaking his arm, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Kansas City head coach Hank Stram, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Paul Hornung (No. 5), a future Hall of Famer, did not play in the game due to injury, Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Jim Taylor was tackled by the Chiefs’ Sherrill Headrick, Super Bowl I, 1967.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Jim Taylor (No. 31) in Super Bowl I.

Art Rickerby/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Jim Taylor, Super Bowl I, 1967.

Art Rickerby—Time & Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

On the Kansas City sideline, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Fred Williamson was led from the field at the end of the first Super Bowl, 1967. Williamson broke his arm during the game.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

Jerry Mays and other Kansas City Chiefs, Super Bowl I, 1967.

Bill Ray/Life Pictures/Shutterstock

The First Super Bowl: Rare Photos from a Football Classic

The Packers’ Herb Adderley and Kansas City’s tight end Fred Arbanas headed to the lockers after Green Bay’s 35-10 victory in Super Bowl I, Los Angeles, 1967.

Bill Ray/Life Pictures/Shutterstock

Photos from New Year’s Eve in New York as America Joined the War

The only way to tell most New Year’s Eves apart is by the numbers that appear on the novelty hats and glasses. But December 31, 1941 was different. This was not long after the December 7 attack on Pearl Harbor, and America was finally, officially engaged in the world war that had begun 15 months before, when Germany invaded Poland. No one knew how long the war would last—but no one was betting it would be over soon.

And yet the party went on—in many ways the same, but it other ways clearly different. Here, LIFE.com remembers a wartime New Year’s Eve in a virtually unrecognizable New York City.

Times Square in New York City at midnight on New Year's Eve, as 1941 becomes 1942.

Times Square at midnight on New Year’s Eve, as 1941 became 1942.

John Phillips The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Military police in Times Square on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Times Square in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Times Square in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Partiers in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Partiers in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Partiers in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Partiers in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Partiers in New York City on New Year's Eve, as 1941 turns to 1942.

Partiers in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Times Square in New York City on New Year's Eve, as 1941 turns to 1942.

Times Square in New York City on New Year’s Eve, as 1941 turned to 1942.

Gordon Coster The LIFE Picture Collection/Shutterstock

Gang of New York: LIFE With the Reapers, 1972

In August 1972, LIFE magazine published an intimate and, for the time, remarkably even-handed article on the mounting problems associated with street gangs in New York and other cities around the country. The piece focused on one gang in particular, the Reapers in the South Bronx, and featured a series of powerful color pictures by a young photographer named John Shearer.

Shearer was only the second African-American staff photographer ever hired by LIFE—after Shearer’s mentor and friend, the great Gordon Parks—but even he had trouble penetrating the gang’s wall of suspicion.

“I visited the neighborhood five or six times, without my camera,” Shearer recently told LIFE.com, “just so I could get a feel for that part of the South Bronx. A few times I was approached by Reapers asking me what I was dong there, but largely I was left alone.”

Then, on one fortuitous early morning after a late night in the neighborhood, an exhausted Shearer was sitting outside a bodega drinking a cup of coffee when a Reaper literally tripped over his legs. It turned out the young man was none other than Eddie Cuevas, the charismatic president of the gang.

Shearer and Cuevas got to talking, and when Cuevas learned that Shearer was not only a genuine photojournalist with an impressive list of assignments already under his belt, but that he was also the son of Ted Shearer, the groundbreaking visual artist and creator of the long-running comic strip Quincy, it was a done deal. The next day, Cuevas informed Shearer that he could begin shooting the Reapers lives in earnest.

“Eddie fancied himself something of an artist,” Shearer recalled. “He’d designed the Reapers’ colors, and the fact that my dad was the man behind a comic strip that he read every day provided me with my ticket into his world.”

For its part, months later LIFE wrote of that world in its Aug. 25, 1972, issue:

Eddie Cuevas, 20 years old, is the tough president (“Prez) of a tough 200-member Bronx street gang called the Reapers. He has been a Reaper since he was barely into his teens. The Reapers were then declining, losing strength steadily to the more glamorous incoming drug culture. But the street gangs have come back in New York and other major cities. They are larger and more dangerous than before, but now drugs are out. “I saw what they did — lots of guys ripped off, string out or dead,” says Eddie.

In the Bronx alone there are over 100 street gangs … Gangs still argue perpetually, fight often and even occasionally kill over such matters as prestige and “colors,” the sleeveless denim jackets bearing the gang’s name and symbol … “Gangs like the Reapers are good and bad,” says a Bronx patrolman on he beat. “One night they’ll spend two hours helping us look for a rapist, the next they’re out to beat up some civilians.”

The article ended with a mention that Eddie had been arrested on a charge of attempted homicide. He was in Riker’s Island jail, awaiting trial. He eventually beat the charges, and even found some work for a time painting sets and doing other part-time work for theater companies after Shearer made a few inquiries in an effort to Cuevas escape the gang life.

How long Eddie’s “straight” life lasted, though, remains a mystery. Shearer lost touch with him, and with all the other Reapers, not long after the feature ran in LIFE a not-unusual occurrence that, Shearer admitted, was emblematic of one of the toughest parts of the job.

“You’d work for weeks on an assignment,” he told LIFE.com, “and sometimes—not always, but sometimes—the relationships and even the friendships you forged during that time could be pretty intense. But maintaining those relationships was close to impossible. It simply wasn’t like today, with email and Facebook and all the other ways people have of keeping in touch with each other, all over the world. You’d be off on another assignment, and then another, and then another, and there’s just no way that we could have stayed in touch with everyone we came in contact with and stayed on top of what they were doing, or even if they were dead or alive.”

In recent years, some of the Reapers from those days have gotten in touch with Shearer, finding him via the Internet and seeing if he might be interested in meeting again after all this time. In fact, not long ago he was invited to a reunion, of sorts, in the Bronx but it turned out that the weather that day was hellish and it was impossible for him to travel down to see his old (some of them now very old) acquaintances from where he now makes his home in a small town north of New York.

“I really would have liked to have been there,” he said, “but it just didn’t happen that day. Maybe some other time.” The way Shearer says it, that phrase maybe some other time sounds different than when other people say it.

It sounds like he means it. It sounds like he wants it to be true.


John Shearer has been a photographer, writer, director, lecturer and professor. At 17 years old, he was one of the youngest staff photographers at a major publication when he was hired by LOOK magazine, where he covered civil rights and the race riots of the 1960s. He was hired by LIFE in 1968, where he was the second African-American staff photographer in the magazine’s history. Shearer has won 175 national photography awards. His work has been exhibited at the Metropolitan Museum of Art, MOMA and the Whitney Museum. 

Reapers president Eddie Cuevas meets with gang members, South Bronx, 1972.

Reapers president Eddie Cuevas met with gang members, South Bronx, 1972.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

On a Bronx street were names important to the Reapers: Eddie, his girl friend Yvette, Con and Mr. Kool, the war lord and vice-president.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

Eddie often complained about being hassled by police, but he got along well with the cop on the beat, and talked about wanting to become a policeman himself: “I’d rap to the fellows and take care of my people.”

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

Reapers gang members cleaned up their South Bronx neighborhood, 1972.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

With Javelins, nearby allies, Eddie discussed plans to clean up neighborhood.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

Flanked by his warlord (wearing a hat), Eddie warned the president of a rival gang to leave Reaper members alone.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

In a city youth agency office that sometimes gave him funds, Eddie argued for money for trips out of the city: “I want my boys to see what the world’s about.”

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

A peace treaty among the gangs was violated by rivals. Under pressure to retaliate, Eddie instead went before a night meeting and asked for patience.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

The Reapers street gang, New York, 1972.

John Shearer/Life Pictures/Shutterstock

In an apartment building corridor, members of the Reapers administer their own swift and brutal justice to a junkie accused of having stolen a Reaper's car.

In an apartment building corridor, members of the Reapers administered their own swift and brutal justice to a junkie accused of having stolen a Reaper’s car.

John Shearer/Life Pictures/Shutterstock

In an apartment building corridor, members of the Reapers administer their own swift and brutal justice to a junkie accused of having stolen a Reaper's car.

In an apartment building corridor, members of the Reapers administered their own swift and brutal justice to a junkie accused of having stolen a Reaper’s car.

John Shearer/Life Pictures/Shutterstock

Street Gangs

Eddie and his fellow Reapers paid their respects to ‘Chino’ Rosa, a member of a neighboring gang who was knifed to death. Friends of Chino’s said he was held up and murdered by a junkie, but a grand jury decided that Chino’s assailant had been acting in self-defense. The Reapers donated a week’s dues to the bereaved family.

John Shearer/Life Pictures/Shutterstock

Scene inside a South Bronx home, from a LIFE magazine article on street gangs, 1972.

Eddie’s mother maintained a shrine to her husband in the four years since his death.

John Shearer/Life Pictures/Shutterstock

Eddie Cuevas and his mother in their South Bronx apartment, 1972.

Reapers president Eddie Cuevas and his mother in their South Bronx apartment, 1972.

John Shearer/Life Pictures/Shutterstock

Street gang, The Reapers, New York 1972

Eddie and Yvette had been going steady for four years: “When we get married,” he said with pride, “she’s going to wear a white dress.”

John Shearer/Life Pictures/Shutterstock

Eddie Cuevas, president of the Reapers street gang, peers out a window in the South Bronx, 1972.

Eddie Cuevas, president of the Reapers street gang, peered out a window in the South Bronx, 1972.

John Shearer/Life Pictures/Shutterstock

Eddie Cuevas, president of the Reapers street gang, with his girlfriend Yvette, South Bronx, 1972.

Eddie Cuevas, president of the Reapers street gang, with his girlfriend Yvette, South Bronx, 1972.

John Shearer/Life Pictures/Shutterstock

Photographer Spotlight: John Dominis

Some photographers become known for their mastery of a specialized topic, but John Dominis had the enviable ability to see and to capture anything.

Born in Los Angeles in 1921, Dominis was majoring in cinematography at USC when he left school in 1943 to enlist in the Air Force. After the war, he freelanced as a photographer for a number of national publications, including LIFE, and was put on staff in 1950 when he volunteered to cover the Korean War.

His 1965 photograph of Mickey Mantle tossing his helmet in disgust after a terrible at-bat is one of the most eloquent pictures ever made of a great athlete in decline and just to keep everyone guessing John Dominis also made some of the most memorable images of food ever to grace the pages of LIFE.

“The great thing about working with LIFE,” Dominis once said, “was that I was given all the support and money and time, whatever was required, to do almost any kind of work I wanted to do, anywhere in the world. It was like having a grant, a Guggenheim grant, but permanently.”

Dominis was remarkably candid about his work, and no more so than when discussing how he managed to make one of the most famous, and controversial, shots of his career: the bristling-with-energy picture of a leopard and a baboon facing off in what one immediately imagines rightly, as it turns out is a fight to the death.

In John Loengard’s terrific 1998 book, LIFE Photographers: What They Saw, Dominis says of that photo:

I certainly wasn’t a cat expert, but I could hire people who knew things. They’d lined up a hunter in Botswana, who was a hunter for zoos. He had caught a leopard, and he put the leopard in the back of the truck, and we went out into the desert. He would release the leopard, and most of the time the leopard would chase the baboons and they would run off and climb trees. I had photographed all this. But for some reason one baboon . . . turned and faced the leopard, and the leopard killed it. We didn’t know that this was going to happen. I just turned on the camera motor, and I got this terrific shot of this confrontation.

There was a different feeling about that in the 1960s. We were always setting up pictures. . . . But now there are many, many more competent photographers doing this stuff over long periods of time four or five years if a scientist is on a big study. . . . No one was working that way then. I felt that my job was to get the pictures. . . . We shot a gazelle and put it in a tree and waited for a cat to come. I didn’t feel bad about it at all. It sounds terrible now, I know, and maybe my attitude would be different now. . . . I’ve been criticized a lot. But to me, I had to do what I did.

His encounters with humans were (usually) less fraught, but always involved the same degree of preparation. Of his remarkable series of photos of Steve McQueen, and how he got the notoriously private and solitary actor to relax with a photographer around, Dominis told LIFE.com:

When I was living in Hong Kong I had a sports car and I raced it. And I knew that McQueen had a racing car. I rented one anticipating that we might do something with them. He was in a motorcycle race out in the desert, so I went out there in my car and met him, and I say, ‘You wanna try my car?’ We went pretty fast I mean, as fast as you can safely go without getting arrested and we’d ride and then stop and trade cars. He liked that, and I knew he liked it. I guess that was the first thing that softened him.

Then there’s Woodstock, an event that opened the eyes of a man who’d seen everything:

“I really had a great time,” Dominis told LIFE.com, decades after the fact. “I was much older than those kids, but I felt like I was their age. They smiled at me, offered me pot. . . . You didn’t expect to see a bunch of kids so nice; you’d think they’d be uninviting to an older person. But no they were just great!

“I worked at LIFE for 25 years, and worked everywhere and saw everything, and I’ve told people every year since the Woodstock festival that it was one of the greatest events I ever covered.”

Dominis became photo editor of People magazine in the mid-1970s and was an editor at Sports Illustrated for a few years, as well (1978 – 1982). But it was his work for LIFE in the 1950s, ’60s and into the early ’70s that not only defined his peripatetic career, but produced some of the most memorable and moving images of the 20th century. He died on  Dec. 30, 2013, at his home in New York City, at the age of 92.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

Southern Pacific locomotive using a plow to clear snow from tracks in Donner Pass, five miles west of Soda Springs, Calif., 1949.

A Southern Pacific locomotive used a plow to clear snow from tracks in Donner Pass, five miles west of Soda Springs, Calif., 1949.

John Dominis/Life Pictures/Shutterstock

Army unit patrolling at night in Korea, 1951.

An Army unit patrolled at night in Korea, 1951.

John Dominis/Life Pictures/Shutterstock

A rifleman dashes uphill to take cover from enemy fire, Korea, 1951.

A rifleman dashed uphill to take cover from enemy fire, Korea, 1951.

John Dominis/Life Pictures/Shutterstock

New York Giants star Willie Mays, 1954.

New York Giants star Willie Mays, 1954.

John Dominis/Life Pictures/Shutterstock

Mothers grieve for their sons killed during a student demonstration, South Korea, 1960.

Mothers grieved for their sons killed during a student demonstration, South Korea, 1960.

John Dominis/Life Pictures/Shutterstock

A boat girl rows a sampan across the Perfume River, Vietnam, 1961.

A boat girl rowed a sampan across the Perfume River, Vietnam, 1961.

John Dominis/Life Pictures/Shutterstock

Mountain tribal village, Vietnam, 1961.

Mountain tribal village, Vietnam, 1961.

John Dominis/Life Pictures/Shutterstock

Navy air operations on the aircraft carrier Independence, 1961.

Navy air operations on the aircraft carrier Independence, 1961.

John Dominis/Life Pictures/Shutterstock

Dancer Jacques D'Amboise plays with his children near his home in Washington state, 1962.

Dancer Jacques D’Amboise played with his children near his home in Washington state, 1962.

John Dominis/Life Pictures/Shutterstock

Robert Kennedy shakes hands from a train window, Japan, 1962.

Robert Kennedy shook hands from a train window, Japan, 1962.

John Dominis/Life Pictures/Shutterstock

President John F. Kennedy in the midst of a ticker tape parade during a state visit to Mexico, 1962.

President John F. Kennedy in the midst of a ticker tape parade during a state visit to Mexico, 1962.

John Dominis/Life Pictures/Shutterstock

Robert F. Kennedy with Japanese children, 1962.

Robert F. Kennedy with Japanese children, 1962.

John Dominis/Life Pictures/Shutterstock

Sen. Edward Kennedy (right) with an old friend, Jack Dixon, in his office during his first year in the Senate, 1963.

Sen. Edward Kennedy (right) with an old friend, Jack Dixon, in his office during his first year in the Senate, 1963.

John Dominis/Life Pictures/Shutterstock

Steve McQueen takes a break during a motorcycle race across the Mojave Desert, 1963.

Steve McQueen took a break during a motorcycle race across the Mojave Desert, 1963.

John Dominis/Life Pictures/Shutterstock

Steve McQueen with his wife Neile at home in California, 1963.

Steve McQueen with his wife Neile at home in California, 1963.

John Dominis/Life Pictures/Shutterstock

Steve McQueen at home, 1963.

Steve McQueen at home, 1963.

John Dominis/Life Pictures/Shutterstock

A trout "flies" out of a bed of almonds in preparation for Trout Amandine, 1964.

A trout “flew” out of a bed of almonds in preparation for Trout Amandine, 1964.

John Dominis/Life Pictures/Shutterstock

The Beatles, 1964.

The Beatles, 1964.

John Dominis/Life Pictures/Shutterstock

Mickey Mantle tosses his helmet in disgust after a terrible at-bat, New York, 1965.

Mickey Mantle tossed his helmet in disgust after a terrible at-bat, New York, 1965.

John Dominis/Life Pictures/Shutterstock

Frank Sinatra in rehearsal, Las Vegas, 1965.

Frank Sinatra in rehearsal, Las Vegas, 1965.

John Dominis/Life Pictures/Shutterstock

Outside the presidential suite at the Sands Hotel in Las Vegas in 1965, Frank Sinatra says goodbye to his mother, Dolly (left), and his father, Martin (center). They visited from New Jersey during the winter months.

Outside the presidential suite at the Sands Hotel in Las Vegas in 1965, Frank Sinatra said goodbye to his mother, Dolly (left), and his father, Martin (center). They visited from New Jersey during the winter months.

John Dominis/Life Pictures/Shutterstock

Muhammad Ali after his title defense against Sonny Liston (the "Phantom Punch" bout), Lewiston, Maine, 1965.

Muhammad Ali after his title defense against Sonny Liston (the “Phantom Punch” bout), Lewiston, Maine, 1965.

John Dominis/Life Pictures/Shutterstock

Argentinian matambre, a slice of beef rolled with vegetables and chilies, 1966.

Argentinian matambre, a slice of beef rolled with vegetables and chilies, 1966.

John Dominis/Life Pictures/Shutterstock

A pair of lions in the wild in Africa, 1966.

A pair of lions in the wild in Africa, 1966.

John Dominis/Life Pictures/Shutterstock

A leopard about to kill a baboon, 1966.

A leopard about to kill a baboon, 1966.

John Dominis/Life Pictures/Shutterstock

American sprinters Tommie Smith (center) and John Carlos (right), after winning gold and bronze Olympic medals in the 200m, respectively, raise their fists in a Black Power salute, Mexico, 1968. Australian silver medalist Peter Norman is at left.

American sprinters Tommie Smith (center) and John Carlos (right), after winning gold and bronze Olympic medals in the 200 meters, respectively, raised their fists in a Black Power salute, Mexico, 1968. Australian silver medalist Peter Norman is at left.

John Dominis/Life Pictures/Shutterstock

Dustin Hoffman kisses his wife, Anne Byrne, in the back of a taxi, New York, 1969.

Dustin Hoffman kissed his wife, Anne Byrne, in the back of a taxi, New York, 1969.

John Dominis/Life Pictures/Shutterstock

Woodstock Music and Art Fair, 1969.

Woodstock Music and Art Fair, 1969.

John Dominis/Life Pictures/Shutterstock

John Wayne during a break in the filming of The Undefeated, 1969.

John Wayne during a break in the filming of The Undefeated, 1969.

John Dominis/Life Pictures/Shutterstock

John Wayne during filming of The Undefeated, 1969.

John Wayne during filming of The Undefeated, 1969.

John Dominis/Life Pictures/Shutterstock

Robert Redford exercises one of his eight saddle horses on his ranch in Utah, 1970.

Robert Redford exercised one of his eight saddle horses on his ranch in Utah, 1970.

John Dominis/Life Pictures/Shutterstock

The 90-meter ski jump at the 1972 Olympics in Japan.

The 90-meter ski jump at the 1972 Olympics in Japan.

John Dominis/Life Pictures/Shutterstock

Hitler’s Christmas Party

The images are chilling, bordering on surreal: Surrounded by fellow Nazis, Adolf Hitler presides over a Christmas party. Swastika armbands jarringly offset the glint of ornaments and tinsel; candles illuminate the festive scene. Confronted with the scene, a viewer might reasonably ask: How could Nazi leaders reconcile an ideology of hatred, conquest and extermination with the joyous spirit of the holiday, much less its celebration of the birth of the Jewish Christ?

In 1937 Nazi propagandist Friedrich Rehm in 1937 actually argued that “real” Germans should remove any vestiges of “oriental” religion from the holiday by harking back to the pagan Yule, an ancient Northern European festival of the winter solstice. He said, “We cannot accept that a German Christmas tree has anything to do with a crib in a manger in Bethlehem. It is inconceivable for us that Christmas and all its deep soulful content is the product of an oriental religion.” An eye-opening 2009 exhibit at Cologne’s National Socialism Documentation Centre featured early Nazi propaganda attempts to make over the holiday: swastika-shaped cookie-cutters; sunburst tree-toppers to replace the traditional ornament Nazis feared looked too much like the Star of David; rewritten lyrics to carols that excised all references to Christ.

But by the time Hitler, Mussolini and the Japanese had dragged the Allies into the Second World War, the Reich’s focus had shifted to more practical matters. Rather than trying to dissuade millions of Germans from celebrating Christmas the way they had for generations, Hitler, Goebbels and the rest instead encouraged their compatriots to send cards and care packages to the troops.

As for the religious views of Hitler himself, the evidence is hardly conclusive: In public statements he sometimes praised Christianity (once calling it “the foundation of our national morality”), but in private conversations—including one recalled by the Third Reich’s official architect, Albert Speer—the Führer is said to have abhorred the faith for what he deemed its “meekness and flabbiness.”

Hitler did, of course, fervently worship one thing above all else: the so-called Aryan race. Looking at the utterly banal, ordinary faces and figures in these photographs, however, it’s hard to believe that anyone, no matter how fanatical or deluded, could believe that the men at that long-ago holiday party comprised anything more than a roomful of gangsters and common thugs.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Scene from a Christmas party attended by Adolf Hitler and other Nazis, date unknown.

Hugo Jaeger The LIFE Picture Collection/Shutterstock

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