In its April 18, 1955 issue LIFE magazine reported on—with a fair amount of concern—the onset of the defining evolution of popular music in the 20th century. The story was titled “Rock ‘N Roll: A Frenzied Teenage Music Craze Kicks Up a Big Fuss.“
Here’s how LIFE described what the “big fuss” was all about:
The nation’s teenagers are dancing their way into an enlarging controversy over rock ‘n roll. In New Haven, Connecticut the police chief has put a damper on rock ‘n roll parties and other towns are following suit. Radio networks are worried over questionable lyrics in rock ‘n roll. And some American parents, without quite knowing what it is their kids are up to, are worried that it’s something they shouldn’t be.
But like it or not, rock and roll was here to stay. Standing in the heart of the moment, LIFE saw dancing as a big part of the new music’s appeal. The magazine, grasping to connect this revolutionary moment to the recent past, described rock and roll dancing as “a combination of “the Lindy and the Charleston, and almost anything else.” The story, shot by staff photographers Walter Sanders and Loomis Dean, had more pictures of kids dancing than of musicians performing. One of the shoots took place at the dance studio of Arthur Murray, where kids demonstrated their new moves.
LIFE acknowledged the roots of this new music, saying “The heavy-beat and honking-melody tunes of today’s rock ‘n roll have a clearly defined ancestry in U.S. jazz going back to Louis Armstrong and Bessie Smith of 30 years ago.” The broader market was now turning to a style of music that first became popular in the Black community because record companies had been focussing on “mambos and ballads,” and as a result “the country’s teenagers found themselves without snappy dance tunes to their taste.”
Some adults fretted over lyrics that seemed to be laden with innuendo and double meanings. But even as the LIFE article adopted the tone of a worried parent, the pictures in the magazine told another story. The photos showed exuberance and joy. And by today’s standards, everything looks extremely proper. The main concert photos feature the great Fats Domino, who is wearing a suit and playing a grand piano. The young fans are dressed as if they were going to a formal occasion, without any jeans or T-shirts in sight.
It’s mind-boggling to think that a mere 14 years from when this story ran, rock fans would be mucking around in the mud at Woodstock. But there was no stopping it at this point. The revolution was on, and it was coming fast.